I was talking to someone, today, and I was asked about mythology. His interest was peaked by my re-reading Joseph Campbell's The Hero with a Thousand Faces. His question was, what is mythology? I tried to explain that it was nothing more than theology and philosophy. The asking and answering of questions pertaining to the study of one's spiritual life. He looked at me as if I was speaking Spanish. So, I told him that it was Fairy Tales for adults. This resonated with him, but he then asked me, if I thought that the people were confused enough without mythology. I told him it quite the opposite mythology gives stability as fairy tales gave to us when we were children. We, mythologists, help with everything from rites of passages to journeys of a thousand steps within.
His question did get me to thinking. Story or reality, what comes first? In my humble opinion, story must come first. Look at the society of the world and one can see the absence of story, of a focal point, a goal. But then I think, where does story come from? Again, in my humble opinion, we get our stories from the collective energetic thought pool. That big jar with characters, plots, stories, and dramatic questions in it. For is it not the artist who pulls from the Creator who become a creator. Meaning, I'm back at square one with the question. The truth of the matter is the process of storytelling rises from within. Theme, when written correctly, will always present a valid point regarding life. I mean there are only four themes anyway. My favorite and probably the favorite of most mythologists is man v god. There can be no man v man without surrendering to the fact that, if science or Jehovah, you have a god; then and only then are you able to wrestle with this being. Otherwise, we have straw men arguments that no one wants to read. Then there is the message, that must be premeditated in delivery better than foreshadowing. Truth of the matter is there is a reality that lies dormant in the story until the writer chisels it out. Constantly homing in on what is it that is trying to be told. Because the true mythologist has an ear for story on top of her hours learning the craft and its theories. With that said, no, there is no way we can confuse the public by telling well-constructed myths. But the shit ain't easy! There is the bottom-line of how well of an experience the writer has provided. Has she entertained, explained, and expanded the mind of the listener? Is experience according to the standards and intentions of mythology? No mythologist worth their weight in gold or salt would forget that the final product needs to answer these two questions: is it a story and is it reality. It's the chicken and the egg question. What comes first the story or the religious reality? There will be no answer. There should be no question; because it's only those looking outside who dare to ask so. With that said, we've wasted valuable time on this issue. Time to return back to work and to design my current story that will be constructed to look like reality. Thanks for Listening! Sabrina Louise Andielle Crow Crew
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In this day and age, when there are so many connecting wires of communication, convincing someone to slow down and join us in an experience which will transform and inform is a little difficult. There are few who are willing to engage in healing energies in the scheme of things. Many will talk the Spiritual talk but run from the Spiritual walk. Mythology is, more often than not, the Spiritual walk. We are supposed to guide people through an initiation which we ourselves have taken. And we can do it, we just have to put our backs into it.
I desire nothing more than serving pieces of art through communication with the abstract symbols which are our assigned medium. The theory of the craft of writing is so intense that many people can't integrate and display a mastery of said theory in order to really get the blissful experience of writing. Then when you add on the piece which is mythology, those who enrapture with words, sentences, and paragraphs normally walk away mumbling something under their breath about storytelling being hard enough as it is. Mythologists who stick it out are not only rewarded with a bounty that can only be kept in the banks of the higher heavens, but we share this bounty enabling others to open accounts alongside us- we are never alone. Thinking about the fact that we have been selected to this honorable position with its hindering tasks, can stop us from reaping what has been sowed while we were just using writing for escapism. Fore the process of becoming initially accepted and acknowledged is one, in which identicality to every other position on this Spa Planet: Earth, sends us on our fool's journey. Just like others it isn't the following of bliss which we start out with, but the warmth from escaping the environment of our holding cell. We write, not even closely aware of the fact that we, like doctors and nurses, will one day enliven and resuscitate the immortals, motivate and inspire the mortals, and give hope to the ghouls. If lucky, we move beyond that feeling we had when we first started and begin the journey of becoming a Mythologist. Schooling and theory on writing comes after escapism, and we die to who we were. There will be so much to learn about character arc and plot. Setting normally takes care of itself, unless we are going beyond the bounds of our atmosphere. But those darn married aspects of creative writing; those are the things that will make or break a writer. Like I said, liken to a doctor or nurse. Theory is just one aspect. It is an important aspect but only the pronouncement and exhibition to the world that being broken is not an option. After showing that there can be trust since now you are an initiative authoritative guide. Structure and Voice are licenses displaying name and ability. Upon becoming working apprentices of the art, the beauty which is storytelling, the mountain of comparative mythology must be climbed. There is a reason why we still need to read Homer or the Sumerians' Epic of Gilgamesh. We need Japanese and Chinese myths in our toolbox and how to use them. There is the greatest historical mythological story, according to some, the Good Book(s) of the Jews and the Christians which weaves history, philosophy, worship, ritual, and fantasy together so well that people are still dying over it. The list carries on with Egypt's Atum and Amun, both gods in their own right, good according to their own disciple sight; Norse; Celtic; African. Exhaustive one must be. This is why many don't Fuck with Myth. Mythology in one area of discipline is hard enough, but when you add the required information gained only be being a comparative mythologist, things get downright outrageous. Yet, going in the belly of the beast will bring about your own hero's journey; one which Joseph Campbell would be proud of. That is when you pass the bar exam, and gain your license, having everything you need in order to lead others through the beast of relevance. There's a lot on your shoulders Mythologists, I know; don't give up. There is no more rewarding way to serve than leading boys into being men and girls into being women. We need you; I desire your company. Just thin about this during those long nights and early days. School of theory, like Med School, only last so long. Apprenticeship, like internship, only last so long. Mastery schooling, like dissertation writing, only last so long. Do the time and graduate each level- slowly. The world will wait. For you are one of the keepers of the gate. Thanks for Listening! Sabrina Louise Andielle Crow Crew Any apprentice worth their shiny new work tools will tell you, Joseph Campbell is the instructor to follow, now that their tummy depends on their performances. This is the man which instructed us mythologist on the importance of forgoing becoming a specialist and stick with being the academic love child, the generalist. This is because we have to tell stories about the wisdom of life and there is no niche on life's wisdom. No life coach, no therapist, not even a holy man can give the experience of life to society like the mythologist. Mostly, we're the go to individual because we are expected to be like the journalist who has societal permission to remain the perpetual student.
My dream as a mythologist is simple, or not. I wish to be the vessel for new beliefs, the new fixed stars in the sky, or the b.i.r.d in the air. I want to be appropriate to the time which I am writing in yet be a little ageless. Writing stuff which explain the experience of a lost of religion, for instance. Or, the experience of establishing new paradigms and methodologies during the crumbling of those which once served well and long. For me, as a mythologist, I dream of being the model of Christ-consciousness rising out of the flames of self-consciousness. So, I am always asking for eyes to see and ears to hear as well as the strength to stand strong in ever evolving awareness and vibration. We dream of starting with the timeless themes, mastering them first though. Yet, we desire to make the inflection on these themes global, new, and inclusive. I believe that is the dream of any emerging mythologist. What are we, if not but high-brow journalist? We empty ourselves routinely and receive the stories for tomorrow; destroying the rituals of today and yesterday. Whereas, rituals have lost their impact on society (look at marriage and graduation,) storytelling and mythology specifically has and will always be where the leaders hear their call of the wild. The dream we mythologists give needs to be a desire, a demand, of motivating and encouraging the breaking of boundaries, especially boundaries which ritual is supposed to set up to keep us inwardly safe and mobile. This means that we, like the person elected to the position of judge or president, must sacrifice self. We must sacrifice self to find self which is floating within the superconsciousness of the collective oneness. So we are willing to be labelled a loony or crazy, going through the process of cracking up and breaking down fore that is the initiation and after healing from the experience, the mythologist will be able to swim in the waters with the mystic. It is a secret society of it own because not many can take the leap of being more than mortal; more than immortal, but being a natural supernatural. The mythologist is truly spiritual as it speaks with the higher level spirits which is different from the lower level spirits which the shaman speaks with. Hell, some mythologists are also shaman and speak with both higher and lower spirits. The receiving of the dream position is just the beginning, fore during the early stages the true mythologist must overcome ego and be able to ask for information and assistance in order to interpret what is being experienced. This request is twice removed upon the telling of a powerful tale; once for self and once for community, in order for communion to transpire long after the mythologist has. Speaking of ego; ego must be captured by its scanty neck and put in check because outside judgement has to be ignored as the true mythologist is doing this for the children. The ultimate dream of the mythologist, however, is to release all, or most, worries about skill, ability, and reception, and take command of the very obedient mind. Of course, this means that we must remember what was mentioned earlier and become the perpetual student. Other than that, we eat right, exercise often, and get enough sleep, because it takes high energy to make individual change; let alone societal changes through altering the social momentum. These are the dreams of an apprentice mythologist. Thanks for Listening! Sabrina Louise Andielle Crow Crew Now what I am about to say will definitely not sit right with some mythologist. We each have our own way about making the invisible visible. But I've been studying and practicing storytelling since I was in my early twenties and I'm now in my late forties; over twenty years. As I've said before, we are the harbingers of this renaissance of pure symbolic storytelling. This means a path must be broken in this publication wilderness. Although I can't walk your path, I can offer three suggestions as to working smarter and not harder.
First, until you have channeled the entire story (which will take about 3 drafts) receive the thing in waves. A couple of hours a day should be enough. Remember your system is receiving downloaded information from the collective thought. Now what do I mean by receiving in waves? This means sitting at the computer and doing like a non-fiction writer would do and that is to show up. Just sit there everyday until you are able to capture scenes of your story. Don't worry about trying to make sense of it now, you'll be given your chance in the early editing stages. In the meantime, just get to know the world and the people in it, then take the time to get to know the problems they face. This is a slow process, but one well worth engaging in as it streamlines the information that is received. Second, once the story has been told, work the story in sections. To begin work the first five pages. Knowing that these pages are your hook, put in there the who, the what, the when, and the why. This may seem over whelming but if you look at it from a journalistic point of view then it will be more than enough space to stretch out those key factors. Then hit the first 50 pages. This should set the stage for the next section. Know that in the final stage of editing what is in those first 50 is a must in the last 100 (ok, maybe the last 50) this expands the first five and slows the pace down. But don't open with a car crash and not tie the tie the thing into the remainder of the story; nor go below this speed or intensity of this type of opening during the rest of the story. It doesn't matter if you're going to just be showing the personality, or the character of the antagonist, it must tie into the entire story somehow. Then there is the middle 200 pages, which shows all the action- what happens. Then the last 100 pages which will wrap everything up. Don't worry about how all the introductory details, foreshadowing, and background information is going to play in this entire story because if you are receiving correctly then all the pieces will fit, and it will be the mythologist job to chisel the raw material. Just maintain faith in the process. Third, don't try to complete your proposal for sale until you've completed the masterpiece. This way you can answer those deep questions about the characters, setting, and symbolism. Remember there are core qualities that a myth has as well as the journey which the heroine goes on. These will be expected to be shown and it you don't wait until the story is being told to you then you'll be lost and will in turn lose the reader. These are the three basic keys to presenting the masterpiece, which is buzzing in your ears, to the world. I hope they help. Thanks for Listening! Sabrina Louise Andielle Crow Crew With all my talk about the upcoming rebirth of mythology; I haven't dug deep into what I see when designing characters, and the journeys they must go on in order to add a new vibrational energy to the collective thoughts of the reader. So, let me start by saying, I believe that this world we live in is nothing but a simulation of information that was imprinted on each and every thought being in existence. We are not as individuals, or as a collective, the Source of our experience though we do get to decide when and how to experience our experiences. This fact is the core of my characters.
For too long, it has been said that we authors have little say in what goes on in our novel. That we as gods or creators of an imaginary, far reaching, world which we share with our reality, have no sway over what is going to happen in them. That we are writing with one headlight in the fog, even after we've completed the first draft. Bullshit! Is there any wonder why novels are recycling stories, with that mentality? We as reflective creator gods, have to put our foot down like all powerful people do. We have to tell our characters that the buck stops with us. Once we gain that type confidence then we can do anything. And by anything I'm suggesting we fulfill the need for a new style . . . I mean hero. That is going to take some getting used to but let's look at what the Unnamed and Unseen Creator God is sending through the gridlines. We can do this not by what anyone says but what everyone say. First, we say we are spirits having a material experience. Yet, we have forgotten that to be spirits we must become Spirits. That ain't easy. Which means, mythologist, that we have something to write about right there. Second, we say we are gods, not God but in God which makes us gods. No one has really defined how to learn how to be gods because it takes a god to raise a god. What are we? Mythologist, we are gods . . . creator gods; especially when we are on our own spiritual adventure. Hence another thing to write about. Third, we say we are immortal. No one speaks in common language of immortality as if we were immortals. Sounds like a job for a few mythologists. Lastly, for the sake of space, we say we are lightworkers from the stars. How many stories can you think of, mythologist, which touch on this subject. Remember I have stated that if we do our job correctly, the publishing houses will be knocking down our doors. Because no matter what, we must still tell a good story. Just like life within this thought simulator, the rules and understanding of the basic principles have been laid out for us. We know there is a beginning, a middle, and an end. Hopefully we also know what goes in each section and not just a beginning, middle, and end. We know that there is a greed, a hunger, for stories which takes readers to superhero status in places far, far away or in the next big city. Upon accompanying the author on an adventure of a divine character created just for them- or at least feels that way, they will be craving for more. We are guides, way-showers, and until we embrace this fact, we will never be trusted with the raw material of stories covering subjects such as those four mentioned above. It's hard but it isn't difficult. As Denzel Washington said, "If it was easy," there would be no masters of the craft. As we are all at the bottom awaiting to rise, like yeast, know that embracing the craft and owning our mastery is what will convince the Universe to "give" us the chances we need. Because, we will have risen in vibration and the thinker behind the thought beings will rise to meet us. Always! Thanks for Listening! Sabrina Louise Andielle Crow Crew There are few deep in this game, or there will be, but of this few some, not all, have a basic rule missing. This rule is, being a mythologist is a little bit scientist. Here's why; you must be able to show you know history, mythology, the process of science, and wrap it up in the ability to stand on your own damn feet. It's not hard because we have to deliver messages. Nor is it difficult because we must start with an original nucleus of a story. It is challenging because we have to know a wide range of everything that anything of importance. We, mythologist, are the storytelling handyman. We keep shit together and working.
Although history is a hard art, something that cannot be molded into a new form once it has congealed, it is an art which takes a strong creative eye which will able to call Bullshit! When we see it. We must know what was done and how it was done, because although we can never duplicate, we can imitate the works of the Great Mystery. Want to know how many hard tests we should put this protagonist through, watch somebody's life go through a growth spurt. Want to know what a villain looks like, listen to some of the very people who are disliked. But we know this, you say. No, we know what used to be the norm. This is now the beginning of the middle of the Information Age and although the wild, wild, west is pretty much over, the dust hasn't completely settled, and this means that what is today's main event will be tomorrow's history. We've still to learn what wisdom to share because we as a society is still collecting information which turns into energy (thoughts and wishes), which turns into experience, which turns into wisdom. Our job, mythologist, is to go through the process without going through the process and that takes skills. The skill is to recognize historical events as they are happening. Mythology ain't no better because although the stories are the same, they are so different. I've often said, hell I barely got the mythologies of yesterday down how can I be at the front lines telling mythologies of tomorrow? But we've got to do it. We've. Got. To. Do. It! We got to know which god has changed his named twenty or thirty times and on top of that what were those names and how did the characteristic traits differ from each other. How else are we going to be able to call Bullshit! when we see it? At the least we need to know that the major gods are supposed to have come out of an area named Sumer and that these deities were aliens, spacemen. Yeah, it's a dirty game and you've got to keep your mind sharp and on the stories. What readers need too know is what these gods and goddesses will do next based on three things: what they've done, the current Information Age, and the upcoming renaissance of the era of enlightenment. Remember our information will turn into tomorrow's wisdom. The process of science is what's going to separate the goats from the sheep. This is the process where we must not only observe and theorize but we must be consistent and accurate while doing it. You know R Kelly before he became jail Kelly. That man can't read or write (which he admitted) but he can sing a hit song into existence. Time after time after time. We must form our own opinions based on our own spirituality. We must be rational and logical while being creative and original. This is something that demands one's own voice and, again, there may not be many of us but those who make the cut will not be able to be fucked with. Time is our friend and ally as it will allow us to be the apprentice, which becomes the fellow, and therefore the eventual master. People are living longer so we, mythologist, have the easy job of translating concepts which are now in the tailpipe. With dedication and much trial and error, you'll be a little scientist. Never too late to start, always reconsider quitting, because ultimately its between you and the Great Spirit and the little spirits which personally and intentionally does the Great Mystery bidding; disembodied but embodied here and there. I used to say if there one, then there are two . . . and so on- you've heard it before. But now I say if there two then there are few, and I will be happy because this game is deep. It's chess man, it's chess. Thanks for Listening! Sabrina Louise Andielle Crow Crew According to the sixth step of the twelve steps of the Hero's Journey, this is when the hero gain allies and learn enemies. But what makes a "good" enemy? We all know you can only develop as far as your resistance can push you. With that said, you're only as good as you can push. This is truer in the world of mythology. The villain is the hero, and the hero is the villain; because it is all perspective and we as mythologist need to hold both as well as we hold one.
Today's villain is not evil for the sake of being. Let's say that we define evil as following. Something that is highly cultured and refined to the highest degree, which has the intent to constructively destroy belief systems and cultures; most times for the better but stereotypically presented as for the bad. Jesus was considered evil during his time. Taking this definition, we have to go beyond that funny drawing of a villain wanting to take over the world just because he wants to. The reason why a villain as one who wants to be sustained and nurtured by the entire ecosystem was accepted during earlier myths is because the guardian gods wanted such things and their co-creation, being stronger than creation, wanted the same things and hence a villain who wants the world in the palm of his hands. But the co-creation and the creation now sits at the same table when processing information during this emerging Age of Information. This leveled playing field means that we as mythologist must sculpt a new villain since we as an ecosystem face a new resistance and have new desires for change. Today's villain, however, cannot be evil for evil sake and, as we now know, cannot be driven by nothing. There must be a goal in the mind of the villain which someone, somewhere, can understand and agree with. Today's villains are just as desirable as the heroes if not more so. They tend to be wiser, stronger, and more in charge of themselves than the younger force that oppose them. The villain knows the world and is very good at manipulating it. As a matter of fact the villain has been doing so up until the hero and her team shows up. Being both outspoken and daring, the villain has learned to keep her temper in check. Often the villain's neighbors and coworkers will say that she was a nice person and that the behavior she just performed is out of character. When all along the villain's life is one of character. Just when we, as mythologist, got the process of the first five and fifty pages being the telling of what is about to unfold, we have to rethink our villains and know that they cannot, again, be evil for evil sake. Nor can they just want to be loved, because even the hero wants that and has wanted that since the days of the Mesopotamian stories. We'll figure this villain thing out because story can no longer replicate life; but life must replicate story- if our ecosystem is to survive this upcoming Age of Enlightenment. We are the harbinger of change because we understand that if we always write what we've always written, then society will always desire what it has always desired. Our villains must change . . . bottom line. Thanks for Listening! Sabrina Louise Andielle Let's for a moment play imagination. Now, let us imagine that what we write is Truth somewhere on some plane in some dimension. Let us say that we are the gods and goddesses that we proclaim that we are. That the bloodlines of those such as the Annunaki and the many members of global pantheons still pump through the veins of humans (and nonhuman alike.) Wouldn't that mean, mythologist, that we have a choice in our storytelling; just as those who deliver dreams to us have a choice in their deliverance?
There are two types of dreamers the Freudians and the Jungians. Here's a brief breakdown of the two. Freudians tell things which are to be healed and Jungians tell things which are already healed. Freudians tells what did happen and Jungians tells what will happen. And lastly, Freudians is victim mentality and Jungians is empowerment mentality. Personally, I am a Jungian. I'm certain that I don't agree with everything the man has said, but I don't agree with everything that Joseph Campbell said, and I support him still. Now combine those two paragraphs. We mythologist have to first discover what messages we are to deliver and to whom. A message can only be received on the vibration it was sent. You can't watch MTV on BET's frequency and vice versa. Once we discover what our individual frequency is then we will be able to churn out the messages as quick as our little hearts and minds can; and they won't land on deaf ears. Remember, those with ears to hear, as Jesus said. It will be broken down where the Freudians mythologist will be for the people who need to be warned and cooed and the Jungians mythologist will be for the people who needs to be rewarded and celebrated. There is no right or wrong, good or bad, there just is. There is the now don't let the descriptive wordings confuse you. I'm certain that these two men weren't thinking, "One day people will take our discoveries and used them in myths of new." So honor their intentions as we like our intentions to be honored. As far as what they did intent, I don't know. I mean they were once considered friends/mentor and mentee; until something or someone came between them. I believe that great minds don't debate but conversate, so it wasn't their difference in understanding of the messages from the gods but something more mortal in being. Anyway, as we daily sit before pad or screen in order to get a few pages done, remember that we are in fact delivering messages of how things are or how they should be. Don't flip-flop and know that there is an audience for both. Stay true to your path; stay in your lane. There is no need for bearing of arms when we all can just deliver what was delivered to us. Hope you keep this in mind when you begin sculpturing your latest and greatest masterpiece for someone somewhere. Thanks for Listening! Sabrina Louise Andielle Crow Crew There is an unwritten agreement between the mythologist and the reader/listener. We, the mythologist, will give understanding of humanity to the reader. This is different than explaining a concept. There is a degree of control the writer must have that the mythologist doesn't. During this time in history, having someone capable of explaining what's unfolding as well as what the upcoming stage of the unfolding should look like, is of the greatest importance to all who claim to be part of the global evolution, which can be labelled another age of enlightening, taking place now.
The bottom line about our position is we must be able to entertain a four year old as well as educate a forty-four year old. Mythology is gospel and we are the scribes who are receiving information for 2020 and beyond. This is an important step in the understanding of humanity- the species with 'amnesia." One which many humans have overlooked. Even the most spiritually attuned individual has not prophesized the coming of new myths. But we know better, right? I for one do not take this once in a lifetime, an era even, for granted. I used to wonder why it was taking me so long to complete Hour of Change. With the exception of discovering who was really rooting for me, I could see no advantage to holding a mythologist back. Living information . . . who wants to block that? We mythologist are the ones with the keys to the vibrational locks, for Christ sake. It's in our DNA and the recycling of information, dead information, will fall by the wayside until the collective has become drunk off our stories. From rewriting/rewiring the beginning to answering/executing possibilities, the new myths will do it all. I just hope that I'm able to live long enough to see the manifestation of the alterations, which will come, since our mythologies will therefore give the motivation to the next generations of Souls, Minds, and Bodies. But, of course, I believe that the living being is immortal whether by creation or co-creation. A living being which lives off raw information and processed wisdom will be first in line- if the mythology is right . . . nah, it'll be right. Here's to open hearts and dedicated minds of mythologist of today and tomorrow! Thanks for Listening! Sabrina Louise Andielle Crow Crew Recently, I've been advocating for a new spin on the Hero's Journey. I, like many others, once saw it as one individual going out into the cruel, cold world. Battling demons and killing monsters. Then coming home to be celebrated and rightfully embraced. Joseph Campbell pointed out that sometimes the hero even brought medicine for the village. I now see that with our coming to an understanding about the outer world, the real focus needs to be on the inner world so we can eventually be sane enough to travel the outer limits and/or have residents of the outer limits announce their visits to the planet.
We are supporting the idea and practice of mental health, more recently. We are bucking systems that don't work and building a platform for future ones that will. Healing is being taken on, deep emotional healing which is altering family DNA, and the realization has become that no one can do your healing for you; and claiming affiliation with a deity does not grant you sanity. These such statements mean . . . I better have a solution to toss in the ring. I do. I believe that the showing of how to stay in one's lane and be a hero falls on the shoulders of mythologist. Not the comparative mythologist. Not the armchair evaluator mythologist. Not even someone who is still putting the new style mythology creator's pedal to the metal while learning the road, like me, mythologist. I am talking about some of today's embraced writers of fine storytelling which could one day be considered true mythology. Ursula Le Guinn was a mythologist. But even she went to school under the old methodology. She was a practitioner of Joseph Campbell's external mastery hero's journey- not always but a lot of the time. The new stories need not be brooding. The collective needs new light, engaging, and encouraging stories so we can move forward. Meaning if we writers just get out the way during the first, second, even third draft, then the final product will be new and innovated. Yes, that means we won't be able to pop out books like we're machines, but we aren't. I've always believed that storytellers and myth makers have a special role in any civilization's societies. Maybe others don't, but I feel it's an honor to even been given the chance to attempt to write stories and mythologies. I'm certain with a new style we'll get new smiles. Healthy ones which change the reader/listener to their core. All the while, everyone is in their lane. That's the future I see for novelist and the one I personally strive for. Hell, I've been working on Hour of Change for 2 years now and by today's prolific standards and my previous habits that's a long time. But I keep increasing my personal standards and with that comes changes in ideas and dialogue for my manuscript. I do know that the only perfection is imperfection so 2020 will be the birthing of The Chronicles of Mow Yen: Hour of Change. We can only change the social momentum one idea, one story, one myth at a time and that means being social, engaging, with our products; and we got to start somewhere. Because, the medicine comes not from the outside but from within and novelist, again, have to help the communities which are directing people in that internal direction. Thanks for Listening! Sabrina Louise Andielle Crow Crew |
AuthorOne of those writer folk telling stories, reviewing the writer's adventure, and presenting the hero's journey. All wrapped in Spirit, the Kingdom of God, the Sanatana Dharma, the Tao, the Way, or the Absolute. Archives
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