July 2019 was the beginning of the third year of my journey to becoming a publish author with a traditional publisher. I tell you this has been a journey of twist and turns to the point that I now understand why the underground roots of a forest looks like a map of success. This becoming a traditional publisher's client is not like self-publishing or publishing with a mom and pop racket. There is a level of mastery which requires focus that just isn't requested otherwise. Writing, rewriting, editing, revision; and much, much more. You can become lost in the drafts alone. I'm on my second revision of what ended up being five drafts and yes, things are tighter than they were months earlier; but, I would not have brought this level of intensity to the game if it wasn't for the fact that I want to be of the roster of a traditional publisher.
In my adventure to being who I am professionally, I'm learning patience and skills which never crossed my mind before. Storytelling and writing stories are two different things; a true master combine and perform both until flawlessness is the appearance. As I continue, now with glee, I find that it really is the journey. I do what I do, read what I read, all to be close with the Universe. My goal has expanded and I'm not getting into what that means at the moment. Being so close, only to have the carrot moved to a different location, because there are lessons and energy to be gained at this new settlement. Yet, I love my guides and I wouldn't take nothing in the world for them. Plus the second installment of The Chronicles of Mow Yen is coming along faster, with less waste. The name: Zep Tepi. It means new dawn. It has been said: If it is fast then it won't last. I used to question that because I was fast and I was producing work. But, being honest with myself, I realized that my work lacked a certain degree of professionalism which I love. I discovered and surrendered to the fact that, that which I sought would only be achieved if I listened to God and slowed down. That meant, enjoying myself on a sunny day, a cloudy day, a rainy day, even a snowy day. Plus I needed time to be still; not just because God said so, but because nothing grow up fast or overnight except when you add man's contribution. Real stuff of God takes time and I am a Metaphysical Fantasy writer. It's a forest I tell you. Hour of Change began in 2018. I will continue to work on this story, only presenting it when needed; but know this: just as the mulberry leaf turns to silk with time, Hour of Change is becoming solid and without fancy. I now pitch it as James Redfield meets J.K. Rowling. And although the level of mastery that those two shared with the world could have been tighter, I stand by them for their vision and determination. They both opened the minds of the public to a new thing. Which is what exploring and pioneering is about; and I am both. Just wanted to let you know that your girl hasn't given up on Hour of Change. That I'm near ... who am I fooling I still have two more run through before tackling the huddles of getting an agent again. A lot has changed. No more Satan. Mow is now a she-demon from the third ring of Saturn. Hina has more screen time and she brings her daughter with her. There are Seven Spirits that must be located. Not to mention that Mow still needs to located her three teams of five Elohim before the December 2030 date. Zeus is still Zeus but he has a newly invented master, Amidas- Mow Yen blood relative which she's never met. Mow's back story has changed and it's an all around tighter story which set up the adventurous journey of The Chronicles of Mow Yen. Plus I know how the damn series ends. For all who are praying for me and Mow, thank you! We aren't going to stop until we see publication and distribution in bookstores throughout the world. Yes, the vision has grown and the ask is bigger but when you're looking to become part of the underground root system of a forest, you better come hard or not at all. Thanks for Listening! Sabrina Louise Andielle
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When we are in our zone, our cave, or wherever we do our thang, we often feel like the one wearing the Royal Crown while editing just masterfully. If you've been at this long enough you know that it is the editing that makes the story. With the proper training we place our created thought-beings (characters) where they need to be. We leave hints so the reader can know where to go without knowing what will go down. We create environments which reflect moods ours and theirs. We do so many things (sometime all within the first 3-5 pages) and I am not trying to take anything away from what we do; but we forget we're not the only one doing this. Or is it just me? I don't think it's just me because we all ask for help, but we don't want to be tore down. We sometimes just want our ego stroke. We want our art acknowledged by those other than loved ones and the average reader. We want someone who can walk in our shoes tell and us they feel each and every step; meaning they, a fellow writer, can see the genius in our creation the way we see it without it being publishable. SMH I've come to realize that to cut miles off my journey as a writer, I have to admit I'm not the only one good at what I do. I'm not the only "expert" even if I know more about the field than others who are doing what I do. I have learned so much about language, expectations, and design outside of the land of Welnikov and Mow Yen by seeing the genius in other writers. There are others who will teach you without knowing they are teaching you if you show up and be humble. Yeah, we know what we know when it comes to our world that we're creating; but we don't know enough to be experts in the world which we live in- even in the field of writing. Whether you be J.K. Rowling or Steven King, this is the case. All the experts have left the building and only us mostly blissful, active participants are still here. Thanks for Listening! Sabrina Louise Andielle Why Mow Had to Follow Young Mow Off the Lip of the Canyon. Last Set-Up Before the Action Begins.5/14/2019 In the last chapter of the introduction, Act I, Mow finds herself facing a road block that can't be ignore, seems unbeatable, and is plainly illogical. Then in walks Young Mow. (I will write another post on Young Mow in the future.) But, Young Mow sees Mow leaning against the wall of the cave and ignoring her walks right to the lip of a canyon that Mow must face in order to get her she-demon powers back from Lunar Archangel Slone. (See, Mow must get to the bottom of a canyon that can hold 3 American Grand Canyon, and the only way is to leap off.) When Young Mow leaps with abandoned screaming this act triggers Mow to do the same.
With plot armor, the Mows survive. I mean I can't kill off anybody in chapter 7, can I? Here's how she survive; the bed of the canyon is actually a . . ., Young Mow congers up a cauldron and fills it with water then levitates out of the canyon leaving Mow to figure out how to do the same. But what was the reasoning for Mow to follow in the first place. I mean, Mow is on a Hero's Journey but was it necessary for a leap of faith? Yes, that's exactly why she must follow Young Mow. Following the inner child is so important to accomplish the adult's life purpose. A child will take a leap of faith just for the experience and fun of it. Before we actually begin the action part of our adventure, the Universe challenges us to take a leap of faith because if you can't take it at the beginning when things are just dust filled what are you going to do when things are in pitch black? Most of the times it is the child in us that convince us that it is a wise thing to move forward. I love that in Hour of Change, Young Mow is screaming the entire trip down; even though she knows she's safe. The inner child must be given the reins and considered a valuable member of the team. Even as small as she may be. That's the entire message of the leap off the canyon. The child in you must introduce you to the world that belongs to you, before you can become you and do you, boo. Thank You for Listening! Sabrina Louise Andielle "Listen, you have to get to NaoGarrie so you can meet its master, the last surviving Titan, Hecate. She'll be coming to Reate Gardens, location of the execution of Vu. If she's able to get to the gardens, then that's an omen that she'll be able to take Ary Shack with the help of Zeus. Zeus has been eyeing Ary since he got here, and word is that he's teamed up with Satan--"
"We can't have Satan running loose on Welnikov!" Chekin said, hands wringing like he was washing them. "Yes, yes Chekin." Herkin said. "Don't yes, yes me. We can. Not. Have. Satan. Running. Loose. On Welnikov!" Chekin's head shook from side to side so slowly, yet so hard. Dear friends, that's exactly what's gonna happen. I don't think anyone who reads these updates and discovery posts which I do while I'm seeking out representation, doesn't know Zeus and Satan takes the ultimate stronghold on planet Earth. But the above except comes from Chapter 5 (Act I / First 25%) so its foreshadowing. Of course when I was brainstorming, sketching, and writing drafts after drafts, I had no idea that it was. Just like Mow being afraid of water but ends up being assigned to a water planet was a mad genius at work move. Or a money move? One of the things that I'm enjoying is finding pieces of writer's gold while I'm polishing and seeking. I'm talking about things like knowing you've placed a piece of foreshadowing in the perfect location. It's kind of like a singer hitting a Mariah Carey note middle of a live performance and the crowd goes wild. I think this foreshadowing stuff is more fun than laughing at those humorous lines that we writers are told we must have. Of course this comes after working with no other project than this since July 2018. Plus, that's not including the brainstorming I started in May 2018. I'm learning this story inside and out. Not moving as fast as the pros, but I'll get there. My only hope is once I become that prolific novelist, I'll still find joy in seeing a piece of foreshadowing during like the 5th polishing round and knowing that its there because I put it there. This author stuff is becoming more and more of a joy over being a chore. It helps that I'm reading about the importance of storytelling to the human soul. Like most authors, I'm a little shy but love to talk about my subject matter; such as salvation, enlightenment, and all that good spiritual stuff. This journey to becoming a traditionally published author is healing for me. It is pushing me to know myself; to know my stuff; to be awake and present; and most of all to share my medicine which is storytelling, faith, and imagination. Once Again, Thanks for Listening! Sabrina Louise Andielle Deja is the one fighting to stop this killing of Vu; so it would appear. She's the one who is verbally combative with Mikin when he is pacifying the Jungs and keeping Mow away from hearing their case. If we live in a tic for tac world (which many of us do) then Mow become in debt to Deja moments after arriving on Welnikov. In fact, the very act of attempting to bypass Mow and her powerful ability to destroy is how Mikin kickstarts the Deja and Mow relationship which ultimately kickstart the adventure/journey Mow has in order to receive her covenant with El Yahweh.
You can't out master the Master, Mikin! By Deja staying true to her dreams and speaking her truth, a new masculine energy was born, she was released from the reality that she would have remarried and retained a position that she didn't really enjoy. I mean, Deja and Vu were standing on the horizon watching El Yahweh create order and life with the Word. They were beings of chaos and served their position as the Masculine and Feminine Essences of Gaia just to a ripen disposition. There is no doubt in my mind that the old Deja, the Witness Deja, would have told El Yahweh where to go with the whole Death Moon Ritual which would kill Vu and leave her for another if not for her time spent as the Feminine Essence of Gaia. The old Deja would have killed Mow on sight, sending Mow to Paleolympho, Land of the Dead, after Zeus had sent everyone to Nigelmin, underworld of Welnikov. Yeah, Deja, and Vu for that matter, lived out their days simmering so that when it was time for toxic masculinity to be absorbed in the collective energetic source of Porthe Hole they could play their role. To be connected with another who has purpose with you. To be connected with another who love you like a Celine Dion love song. To be connected with another who will ride or die with you like a rapper's imaginative girlfriend. Means you have everything. Means you have power. Power that some are unable to harvest and stabilize. I mean Mow Yen and Po Li have a tight relationship, don't get me wrong, but it is in the beginning stages while Deja and Vu Jung have ran and completed the race and this they know. They're so confident in their combined strength that they only depend on El Yahweh to lead them, the unit, the couple; because, they know their combined power of rage and destruction is so strong that the only thing stronger is their love. Part of me wonders, did Deja know that when she was disembodied and sent to Nigelmin, she was in fact on her way to Porthe Hole? And could it be that this thought, this realization, frighten her into thinking that she would never see Vu again thereby doubting El Yahweh's dedication, love, and compassion toward the beings in its family? If only for a moment. Yeah, it did and that is what motivated Deja to push Mow so hard in the beginning. It is also what convinced her to stay around Mystical Rose and thereby lose her life force and be sent to Porthe Hole- she was searching for Vu. Bottom line, like the Theme of Hour of Change, Deja had to die. See, she could understand the need for Vu to be replace but not her, nor could she see herself with another male. For these reasons she had to, again, die, and die the way she did, then being a creature older than Creation, she had to return to Porthe Hole to one day be reborn. Like Mow she was afraid and like Mow, when she returned to Paleolympho to find Vu waiting she, realized that Her God is an Awesome God. Thanks for Listening! Sabrina Louise Andielle This story is set in the early 2020s, and at the current time there are people afraid of the connection of a new world order. Something about fear of the rise of the Antichrist and the total destruction of a people who are not anywhere near perfection. This fear, like most, is irrational and gives full support to the condemnation without investigation saying. I say this, knowing good and well that Yahweh is in the market for an entire planet to rule over. So how does such universal thinking play out in Hour of Change?
The new world order in HoC is known by a different name, Earthling Communal World Order. Like the one world order that the elitist of the European and American nations is attempting to build, this creating has been manifesting for some time now. This is also an organization birth from the desires of various families who have passed down generation to generation a vision. But what makes ECWO different, the royal family of England has successfully drew the ECWO within the image, Mow's family hand friends have created one cohesive government and religion for the entire planet. That ECWO is flawed, to say the least, to the point that the weakest or last is staging a rebellion that could bring the new world order to its knees. So just what is the ECWO to Mow. I mean she seems totally upset by being upstaged inside the organization; prompting disobedience outside the organization from parliament. I believe that the ECWO may be or had been an important step in the evolution of the planet to being Spiritual in Nature, but it was just the final demonstration that Mow Yen was experienced and comprehending enough that she could be pulled from the circle of incarnation on Earth as it is according to tradition. When Lunar Archangel Slone and Mow Yen meet, they discuss that importance of knowing when to pick the fruit from the branch. Without going into details, Mow present the case that creation is not done until it collapses, while the Archangel of the shadows counter with the act of running unto collapsing is something that someone on the run does. Personally, I like that. What Lunar Archangel Slone says that is; because with the belief that the Sons of Men are born into sin, it is often too easy to play the role of running and hiding sinner. You can't sprawl your essence if you have no core, no roots. Sprawling is something that those who have privy to the Plan of Evolution need to do and Mow is one of the privy ones. Like most rulers and overseers, Mow did not want to leave before reaping the benefits of her actions, and she takes this anger out on Lunar Archangel Slone and Solar Archangel Michael. Both allow her to have and feel her anger then they do what must be done for the soul and Soul of Mow to be disconnected. The splitting of Mows soul from her Soul is testament to my saying, put down what serves you, once it has served you, so it can once again serve you. Why carry flip-flops up a mountain? Put those bad buddies down and carry on a little lighter and care-free. When you need them again, they will be provided for you. The ECWO could be either Satan's or Yahweh's ordered organization. We don't get to know for sure who has called the shots on this one. But one thing is clear the Order is important to the next game board of Earth. With Mow being able to retain her memory of the Queen Elizabeth IX incarnation, she is also with memory of the ECWO. Does she drop it? Has it served its purpose? No; it is constantly brought up to the point that Po began to question her about it for a moment. But Mow stands by her guns- she was told by Yahweh not to inform anyone whether he or Satan instructed her for the creation of ECWO. Purely, completing it was a trigger, and we don't get to know what has happened of it. Our only closure to the ECWO is the conversation which Mow and Lunar Archangel Slone have before Mow and Po head out to Ahisma. It is here when Mow finally breakdown and tell us that she has been waiting for a communal existence since she arrived from Saturn. We learn that this planet which is liken to a task master to Earth has joined in unison- no longer dealing in duality, plus it is with the other planets in helping Earth get it shit together. When Slone pushes to know why Mow desires Earthling unification, she explains that one thing which caused her to break up with and ignore Po was the duelist energies. "Earth's energies are neither balanced nor fair- trust me on this; therefore, it can't be kind and selfless unless you are a Master and even then, altruism is something that must be in the forefront of one's mind." So, we see or can guess- for now - that the near establishment of the ECWO was something that was done out of Mow's heart. Mow is after all a Plan Keeper and with free will, she's able to bring about evolution any way she wishes. On the other hand, her refusal of Satan's offer to return and have the title, power, and position that are rightfully hers because as he has told her, he "can't do this without the passion of a lady." Yeah, she's able of bring about the set-up for final destruction; but she'll give the team of light another chance to get it right since she already knows what's going on. Well, well, well; we meet again. That was my attitude this morning, as I settled in to work on my WIP.
See, I am one of those gentle, Spirit chasing, devotees of this adventure called: Spirit having a Human Experience. The idea of thinking about pretending to raise my intent in an disobedient way cause me to shiver. I'm a solider in the army of the Creator-Thinker-Host who has been placed under the command of Yahweh. A solider, I tell you. I do what's told. Back on topic, Sabrina. I have always had problems with constructing a villain. I understood that everyone needs resistance to grow, but I just couldn't understand why you would want to be the resistance. Being a writing storyteller, I am responsible with the task of conveying ideas and meaning. To do this means I have to understand both sides of every situation- objectively. And, for the most part, I have learned to be open to the bad guy in order to get his/her story. Once I became "friends" with these rascals I came up against another wall: Now that I know you, are you really needed for the story? No longer shaken by their energy, I am able to ask different questions of my characters. No longer shaken by their energy, I am able to tell them to hit the dirt. That's what I did. That's where I am during this version of this story of Initiation; titled Hour of Change. Zeus and Hecate were villains during brainstorming, draft 1, draft 2, and the initial set-up of draft 3. Now I see that Zeus is the villain and he claps hard. After all, he is fighting for his life so he is taking no prisoners. My son says he, Zeus, "walked in the room folded his hands across his belly and said, 'I'm that n****r.'" Now those with teenagers or who are teen aged at heart know what my son meant and I'm quite proud. Allowing Zeus to be Zeus (god fighting to gain control of the third dimension and to avoid being returned to the primal energies of the Creator-Thinker-Host) took pressure off Hecate and she got to return to being the Titan/goddess caught up in Zeus mess and this time she may have made the wrong choice by making the choice she did. Anyway, I've freed up so much energy by strengthening Zeus and removing weight off Hecate. But the thing that surprised me most was the sigh of relief I let go when I just erased the Wayland character. I just simply returned him to my creative primal energies. The man won't even be mentioned in Hour of Change. I did replace him with a bad guy, the ultimate bad guy, Satan. But Yahweh is an on screen character who appears just before Satan and is the only one who even think about confronting Satan. But, both of them have seconds on film. Bottom Line: Free your imagination and let your stories be populated by personalities you wouldn't necessarily consciously portray while in the third dimension. Oh, and kill a few sons of bitches; if you have to. Thanks for Listening! Sabrina Louise Andielle Hello! (Trust me, I'm waving)
I wanted to take the time to share a little more of my supportive documents for The Mow Yen Chronicles: Hour of Change. These questions will help you understand how I'm making metaphysicial fantasy not only easy and entertaining, but I'm staying true to some of the more elementary lessons we learn by traveling the journey/adventure of Spirit. Without any more introduction, please, read these ten questions and my replies. If you can think of another question or two, please, feel free to ask.- S.L.A. Whose story is this? Who is the protagonist? This is the Soul's Personality which is Mow Yen story. She is the center of the story and from whose eyes the story is told. What is the protagonist's external story goal? The external goal is to create a new level of evolution for the Thinking Man on the Third Dimension What is the protagonist's internal story goal, if any? (a character without a growth arc may not have one) The internal goal is to not be swallowed alive by the residents of Welnikov. If she can be the system buster that she was created to be then she will be better able to accomplish her external goal. She wants to pass the initiation. What promises does the opening of this story make to the reader? This story promises to deal with the concept of initiation of any part of the Creator-Thinker-Host, and it will be an intriguing and informative. For each character with a growth arc, how do they grow or change by the end of the story? Goddess Hel is more confident in her ability to rule the Netherworld. Mow Yen is in stronger re-memberance of who she is. No longer the uninitiated fool, Mow is now in the position to gather the Team 15 in the month's-time that she has been allocated. Po Li is now understanding of his actions and willing to love. To break his cynical attitude about life. Daughter of the Moon, Hina is now responsible for herself as never before and she takes this responsibility serious. She is now on her journey which will lead to an adventure if she allows it. What is at stake for each character in this story? Could those stakes be any higher? The 3 Mein Fates are being tested and if they fail this as a team they will be replaced as a team. Deja Jung is about to lose her twin mirror and her position as guardian and mother of the planet Earth/Gaia. She is about to lose the main part of her identity as she knows it. Vu Jung is about to gain a permanent position in the galaxy of the Milky Way but lose his twin mirror. He must decide if he still wants to be part of Deja's world. Wayland Smith is about to lose his mind because what he is doing appears "wrong", but it is what's required by the whole of creation; now he doesn't know who to trust. Goddess Hecate is about to lose what she has for a chance to have what she desires and have been told to leave alone. Olympian God Zeus is about to lose his position that he's held on through thick and thin and be returned to the primal energy- regenerated into a total new Personality. Goddess Hel is about to lose the belief that she must play small in order to keep peace in the whole of creation. Archangel Slone is about to lose her stability as an Archangel of stable and obedient beings in Yahweh's Executive Branch of Leadership. Mow Yen is about to be initiated into a new life and devotion to purpose. She must give up being a system buster to be a system buster. Po Li is about to be initiated into true masculinity. He is about to lose loneliness. He must give up the false sense of manhood that was presented to him by the leadership of Zeus. Moon Daughter Hina is to be initiated into femininity and leadership. She gives up her home to help broken people who may be able to change and therefor change the galaxy starting with the planet Earth/Gaia because she will be the essence of this planet until she can receive her masculine counterpart and partner. What are the themes in this story, if any? Initiation is something that we must all go through in order to gain a breakthrough to a higher frequency of living. We must trust in ourselves and in the true creator, the Creator-Thinker-Host. Once we make that shift in belief and understanding, then we will be able to be the larger, more authentic, divine beings that we are. What do you want the reader to be experiencing as they read this story? I wish for the reader to gain either an understanding of breakdowns to breakthroughs which leads to successful surrendering into the initiation, or an unconditional encouragement just from watching a group of connected individuals handle the same theme, initiation, in different ways but their individual contributions still evolve the whole. What main emotions do you want the reader to be experiencing as they read this story? Hope. Devotion. Motivation. Inspiration. Curiosity. What genre do you think this story belongs in? If it belongs in more than one, which one do you think is primary? This is a spiritual/visionary/metaphysical fantasy. With that said, it primarily belongs in the metaphysical genre. Wow! That was a sprint. But thank you for listening! Sabrina Louise Andielle I can't believe it. I've polished this Character List to its final shine. In other words, the main characters, antagonists, and protagonist are established and written in stone. I know their voices. I know the motivations behind their actions. I'm so excited that I had to share. So, without further ado, without any particular order, here are the 16 beings living in Welnikov that The Chronicles of Mow Yen: Hour of Change is focused on.
Herkin: The masculine Mein Fate of the Future. His is the adultlike voice which is always pushing Mow to engage in the going on of Welnikov. He is aware that Mow's stay in the Welnikov Dimension is just the setting for Mow to complete her Initiation, Integration, and Transformation for her 2030 task in the third dimension. His words and actions are always calculating even when he presents them as spontaneous. Chekin: The masculine Mein Fate of the Past. His is the childlike voice which is always dragging Mow to engage in the going on of Thebes Tower. He is aware that as the child of Mikin, Mow has lived a difficult life on the third dimension and must forgive in all ways and all directions before she can truly transform into the leader of the Welnikov Team 15. His words and actions are always gentle even if they aren't kind. Mikin: The masculine Mein Fate of the Present. His is the adolescent-like voice which is always trying to prevent Mow from involving herself with anything besides the command to Gather, Prepare, and Instruct the Welnikov Team 15 for the 2030 task in the Third dimension. His words and actions are always forceful even if his intent is to be spacious and allowing. Deja Jung: The Feminine Essence of personality for the planet Earth/Gaia. Hers is the manipulative voice which is attempting to seduce Mow into preventing the Death Moon Ritual even though prophesy states that she will die if the ritual is stopped. Her words and actions are flattering and misleading until circumstances demand for her to be the primal being that she is. Vu Jung: The Masculine Essence of personality for the planet Earth/Gaia. His is the coy voice which supports Deja in seducing Mow into preventing the Death Moon Ritual, even though prophesy states that he will live his remaining years as a reflective part of the planet if stops the ritual. His words and actions are hesitant and liken to that of a host of a manor or a mansion in the process of being foreclosed. Wayland Smith: The outgoing Champion of Gaia. His is the confused voice which is doing what is right, thereby having to live with the consequences of doing wrong, in order to incarnate on the third dimension in the year of 2030. His words and actions are crypted since he has been assigned the position of Vu's executioner and doesn't know who to trust. (Antagonist) Titan/Goddess Hecate: The Commander of the Dead of Welnikov and the eventual temporary replacement of the Feminine Essence of personality for the planet Earth/Gaia, after Deja is sucked into the Netherworld. Hers is the voice and actions of desperation and intimidation attempting to grab control over the rulership of the planet. (Antagonist) Olympian God Zeus: The chief god in the Cad' lad territory of Welnikov's Netherworld and eventual temporary replacement of the Masculine Essence of personality of the planet Earth/Gaia, after Vu is sucked into the Netherworld. His is the voice and actions of projecting and dying domination and expectation which has outlived its season. Thereby he is fighting to hold on the glory of yesteryear's consciousness. Goddess Hel: The Keeper and Charge Maiden of the Book of the Dead of Welnikov who teams up with Mow in order to remove Hecate and Zeus from their new positions in Welnikov's PiCaddily. Hers is the voice and actions of true unconditional love, assistance, and performance to Yahweh and the Creator-Thinker-Host thereby she is the same truth for Mow. Archangel Slone: The personal guardian angel and Archangel assigned to Mow in all ways and all directions. Hers is the voice and actions of feminine support from the angelic realm which is a mirror to Archangel Michael. She is rarely seen but is always nurturing and motivational when she is. (Protagonist) Mow Yen: System Buster who has become stagnant. Relocated to the strange dimension of Welnikov, hers is the voice and actions of some one who is fighting the process of growth into a new position of true abundance and love. She must learn unconditional love while maintaining the energy and dedication to destruction- she is a true angel of Death. Young Mow Yen: Mow Yen's inner child and free bird, her purity of soul which hasn't yet abstracted herself to meet others' expectations- not even a sexual and sensual Po Li. While Mow was building her reputation on the third, Young Mow ran away to Welnikov. Now that the two are reunited, hers is the voice and actions of healing, learning, adjusting, and ultimately dying so that Mow can learn her lessons of leadership, unconditional love, and co-creating with the Creator-Thinker-Host in support of Yahweh and the Children of Earth/Gaia. Po Li: The Twin Mirror of Mow. During previous incarnations, Po was the one that carried the shadow energies leading to the destructive energies which imprisoned him in Winton Harvest of Welnikov's Netherworld. His is the voice and actions of sharing, forgiving, fighting, and evolution from journey to adventure so that Mow can become a realized demigoddess by partnering with him and his powerful gifts of manifestation, offering the third dimension a model of authentic love between partners and as individual halves. Guardian Statue, Copeland: The statue on the right which gives Mow a hard time before agreeing to let her pass through the gates. His is the voice and actions of self-doubt as he was created for that purpose. He will speak the doubt that is in the heart of the living being attempting to enter the Netherworld of Welnikov. His confrontational mannerism cause Mow to think twice about where she is, where she was, and where she is going . . . Mow needs him. Guardian Statue, Striveland: The statue on the left which gives Mow unconditional support before and after agreeing to let her pass through the gates. His is the voice and actions of self-confidence as he was created for that purpose. He will grant the patience and encouragement which is part of the core, primal energies of the individual and collective. Not as protective as Copeland, but he does get the job done with joy and ease. It is he that asks the questions. Daughter of the Moon, Hina: The young feminine energy which has been sent by the Moon to aid Mow in her task for the evolution of the Thinking Man back on the third dimension in the year 2030. Curiosity of Circumstances, Hina is intrigued by Mow, Po, and Young Mow and therefore accomplish her purpose of becoming the new permanent feminine essence of personality of the planet Earth/Gaia. She, in her newfound position, grants everyone she travels with while attempting to enter the Mystical Rose, the freedoms to accomplish the Divinely Assigned Tasks buried in their hearts. Younger than Mow, even, Hina must learn to balance the Masculine and Feminine Essences before her Masculine takes his position besides her. Hers is the voice and actions of unconditional love and service in training for a higher calling. I know this was a long post, but thanks for sticking to the end. Once again, thanks for listening! Sabrina Louise Andielle With the coming of the 2019 New Year comes the first hardwood deadline for Sabrina Louise Andielle. I have until 1/31/19 to send out the first wave of required material for consideration of representation by an agent. This means I'm starting to understand why prolific authors have wheelbarrows under their eyes.
I have my pitch: Hour of Change is the story of a System Busting Demigoddess who must relocate from the Third Dimension of humans to the Welnikov dimension of goddesses and gods, there she must heal her understanding of unconditional love and complete a journey to break down one of Welnikov's oldest Systems. I have my paragraph synopsis: Hour of Change tells the story of 48,000-year-old demigoddess, Mow Yen, relocating to the Welnikov dimension before the completion of her task of evolving Mankind of the Third dimension of Earth with an "unforeseeable leap." Once on Welnikov, Mow discovers that her hope of returning to the Third, by completing an assigned task of gathering 15 gods and goddesses to aid her in evolving Mankind, is going to be harder than she planned; as she must bust one of Welnikov's oldest systems which can only be done by her gaining a new understanding of unconditional love- thereby returning her, and a new team, to the Third enabling Mow Yen to accomplish her Soul's Core Directive of Creation. My one page synopsis is too long to post here (in this entry) but it's coming along and I'm adding shine to it. I'm pretty sure about the first 50 pages- I never knew how much telling the initial couple of drafts hold. Talk about a cutting room floor. I'm putting the finishing touches on the entire manuscript, especially the ending- which I just added a god to today which will put more flesh on the bones of this story and create an even better set-up for the next in the Chronicles Series. Most important, I'm getting ready for rejection and inquiry. Working on it 6 to 8 hours daily is giving me confidence about a subject matter which hasn't been tried in such way before. Hearing it play out is giving me courage to share myself with the profession of publishing. So, in all reality I have 2 weeks left to tinker with this thing. I can dig that! Anyway, I just wanted to share the excitement and motivation. Thanks for Listening! Sabrina Louise Andielle. |
AuthorOne of those writer folk telling stories, reviewing the writer's adventure, and presenting the hero's journey. All wrapped in Spirit, the Kingdom of God, the Sanatana Dharma, the Tao, the Way, or the Absolute. Archives
February 2020
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