Why Mow Had to Follow Young Mow Off the Lip of the Canyon. Last Set-Up Before the Action Begins.5/14/2019 In the last chapter of the introduction, Act I, Mow finds herself facing a road block that can't be ignore, seems unbeatable, and is plainly illogical. Then in walks Young Mow. (I will write another post on Young Mow in the future.) But, Young Mow sees Mow leaning against the wall of the cave and ignoring her walks right to the lip of a canyon that Mow must face in order to get her she-demon powers back from Lunar Archangel Slone. (See, Mow must get to the bottom of a canyon that can hold 3 American Grand Canyon, and the only way is to leap off.) When Young Mow leaps with abandoned screaming this act triggers Mow to do the same.
With plot armor, the Mows survive. I mean I can't kill off anybody in chapter 7, can I? Here's how she survive; the bed of the canyon is actually a . . ., Young Mow congers up a cauldron and fills it with water then levitates out of the canyon leaving Mow to figure out how to do the same. But what was the reasoning for Mow to follow in the first place. I mean, Mow is on a Hero's Journey but was it necessary for a leap of faith? Yes, that's exactly why she must follow Young Mow. Following the inner child is so important to accomplish the adult's life purpose. A child will take a leap of faith just for the experience and fun of it. Before we actually begin the action part of our adventure, the Universe challenges us to take a leap of faith because if you can't take it at the beginning when things are just dust filled what are you going to do when things are in pitch black? Most of the times it is the child in us that convince us that it is a wise thing to move forward. I love that in Hour of Change, Young Mow is screaming the entire trip down; even though she knows she's safe. The inner child must be given the reins and considered a valuable member of the team. Even as small as she may be. That's the entire message of the leap off the canyon. The child in you must introduce you to the world that belongs to you, before you can become you and do you, boo. Thank You for Listening! Sabrina Louise Andielle
0 Comments
I can't believe it. I've polished this Character List to its final shine. In other words, the main characters, antagonists, and protagonist are established and written in stone. I know their voices. I know the motivations behind their actions. I'm so excited that I had to share. So, without further ado, without any particular order, here are the 16 beings living in Welnikov that The Chronicles of Mow Yen: Hour of Change is focused on.
Herkin: The masculine Mein Fate of the Future. His is the adultlike voice which is always pushing Mow to engage in the going on of Welnikov. He is aware that Mow's stay in the Welnikov Dimension is just the setting for Mow to complete her Initiation, Integration, and Transformation for her 2030 task in the third dimension. His words and actions are always calculating even when he presents them as spontaneous. Chekin: The masculine Mein Fate of the Past. His is the childlike voice which is always dragging Mow to engage in the going on of Thebes Tower. He is aware that as the child of Mikin, Mow has lived a difficult life on the third dimension and must forgive in all ways and all directions before she can truly transform into the leader of the Welnikov Team 15. His words and actions are always gentle even if they aren't kind. Mikin: The masculine Mein Fate of the Present. His is the adolescent-like voice which is always trying to prevent Mow from involving herself with anything besides the command to Gather, Prepare, and Instruct the Welnikov Team 15 for the 2030 task in the Third dimension. His words and actions are always forceful even if his intent is to be spacious and allowing. Deja Jung: The Feminine Essence of personality for the planet Earth/Gaia. Hers is the manipulative voice which is attempting to seduce Mow into preventing the Death Moon Ritual even though prophesy states that she will die if the ritual is stopped. Her words and actions are flattering and misleading until circumstances demand for her to be the primal being that she is. Vu Jung: The Masculine Essence of personality for the planet Earth/Gaia. His is the coy voice which supports Deja in seducing Mow into preventing the Death Moon Ritual, even though prophesy states that he will live his remaining years as a reflective part of the planet if stops the ritual. His words and actions are hesitant and liken to that of a host of a manor or a mansion in the process of being foreclosed. Wayland Smith: The outgoing Champion of Gaia. His is the confused voice which is doing what is right, thereby having to live with the consequences of doing wrong, in order to incarnate on the third dimension in the year of 2030. His words and actions are crypted since he has been assigned the position of Vu's executioner and doesn't know who to trust. (Antagonist) Titan/Goddess Hecate: The Commander of the Dead of Welnikov and the eventual temporary replacement of the Feminine Essence of personality for the planet Earth/Gaia, after Deja is sucked into the Netherworld. Hers is the voice and actions of desperation and intimidation attempting to grab control over the rulership of the planet. (Antagonist) Olympian God Zeus: The chief god in the Cad' lad territory of Welnikov's Netherworld and eventual temporary replacement of the Masculine Essence of personality of the planet Earth/Gaia, after Vu is sucked into the Netherworld. His is the voice and actions of projecting and dying domination and expectation which has outlived its season. Thereby he is fighting to hold on the glory of yesteryear's consciousness. Goddess Hel: The Keeper and Charge Maiden of the Book of the Dead of Welnikov who teams up with Mow in order to remove Hecate and Zeus from their new positions in Welnikov's PiCaddily. Hers is the voice and actions of true unconditional love, assistance, and performance to Yahweh and the Creator-Thinker-Host thereby she is the same truth for Mow. Archangel Slone: The personal guardian angel and Archangel assigned to Mow in all ways and all directions. Hers is the voice and actions of feminine support from the angelic realm which is a mirror to Archangel Michael. She is rarely seen but is always nurturing and motivational when she is. (Protagonist) Mow Yen: System Buster who has become stagnant. Relocated to the strange dimension of Welnikov, hers is the voice and actions of some one who is fighting the process of growth into a new position of true abundance and love. She must learn unconditional love while maintaining the energy and dedication to destruction- she is a true angel of Death. Young Mow Yen: Mow Yen's inner child and free bird, her purity of soul which hasn't yet abstracted herself to meet others' expectations- not even a sexual and sensual Po Li. While Mow was building her reputation on the third, Young Mow ran away to Welnikov. Now that the two are reunited, hers is the voice and actions of healing, learning, adjusting, and ultimately dying so that Mow can learn her lessons of leadership, unconditional love, and co-creating with the Creator-Thinker-Host in support of Yahweh and the Children of Earth/Gaia. Po Li: The Twin Mirror of Mow. During previous incarnations, Po was the one that carried the shadow energies leading to the destructive energies which imprisoned him in Winton Harvest of Welnikov's Netherworld. His is the voice and actions of sharing, forgiving, fighting, and evolution from journey to adventure so that Mow can become a realized demigoddess by partnering with him and his powerful gifts of manifestation, offering the third dimension a model of authentic love between partners and as individual halves. Guardian Statue, Copeland: The statue on the right which gives Mow a hard time before agreeing to let her pass through the gates. His is the voice and actions of self-doubt as he was created for that purpose. He will speak the doubt that is in the heart of the living being attempting to enter the Netherworld of Welnikov. His confrontational mannerism cause Mow to think twice about where she is, where she was, and where she is going . . . Mow needs him. Guardian Statue, Striveland: The statue on the left which gives Mow unconditional support before and after agreeing to let her pass through the gates. His is the voice and actions of self-confidence as he was created for that purpose. He will grant the patience and encouragement which is part of the core, primal energies of the individual and collective. Not as protective as Copeland, but he does get the job done with joy and ease. It is he that asks the questions. Daughter of the Moon, Hina: The young feminine energy which has been sent by the Moon to aid Mow in her task for the evolution of the Thinking Man back on the third dimension in the year 2030. Curiosity of Circumstances, Hina is intrigued by Mow, Po, and Young Mow and therefore accomplish her purpose of becoming the new permanent feminine essence of personality of the planet Earth/Gaia. She, in her newfound position, grants everyone she travels with while attempting to enter the Mystical Rose, the freedoms to accomplish the Divinely Assigned Tasks buried in their hearts. Younger than Mow, even, Hina must learn to balance the Masculine and Feminine Essences before her Masculine takes his position besides her. Hers is the voice and actions of unconditional love and service in training for a higher calling. I know this was a long post, but thanks for sticking to the end. Once again, thanks for listening! Sabrina Louise Andielle I think I've mentioned I'm going a different route with Hour of Change. I'm going to seek an agent instead of trying to continue publishing books by myself; so, yeah, I've telling you once more, okay?
Funny, the thought of having to put my work before a professional someone who can help me leap professional publishing hurdles more swiftly and accurately is a little nerve wreaking. Again, there is a level of professionalism which must be presented before you really can begin stretching your legs with an independent, creative streak. Being that I'm committed to this, I'm willing to color in the lines now with a minimum flare of "originality of me." I understand that storytelling and story writing are two different things and now that I come out my apprenticeship of one area its time to enter the other. I'll be the first to admit that the process of self-publishing is a team effort; at least now I can. And, a team is something that I do not have, no matter how much praise and encouragement I receive. If you ain't paying money then most of the time only your true friends have time to assist you and most of the time they know just as much as you, if not less; especially when you're just starting out. The energy, emotion, and expression needed to start a publishing house from nothing with nothing, knowing nothing is damn near impossible and that is something that I didn't understand when I started Seasoned Storytelling. But being that this Universe loves the underdog, I'm not giving up. I'm just going to gain an education on how to own a publishing house the way I've learned everything else, through an apprenticeship. What apprenticeship you ask. There are no such thing as an apprentice now a days, you have formal higher education. Okay, then I will gain a education by becoming a professional author under a professional publisher. There's is nothing to lose but pride. So pride be gone! I've been working hard, diligently, and differently on my first proposal project: The Chronicles of Mow Yen: The Hour of Change, for six months now and I have now reached a couple of hurdles. First, I received feed back via Beta Readers of my first 50 pages and with the exception of a few minor adjustments those pages are ready to be in the Beta Manuscript. Second, I just completed the first draft of the second 50 pages. Third, and last, I have planned the entire middle out and although it's not written in stone, it's a great guideline which will keep me on target of presenting well paced action. See, I've learned to set the stage. I've learned how to wrap up. Now I'm polishing my skill of unfolding action. The thing I love about Metaphysical Fantasy, it's life and there is no need to present explosions and/or murder for shock value. The action isn't break neck entertainment but informative and healing to the soul as we watch a group of individuals get out of a situation which is meant to strengthen the Logos/Way/God by strengthening said individuals by breaking the individuals by breaking the connection with the Logos/Way/God. That's what the amnesia game is all about. Breaking muscle to build muscle. And that's what I'm doing as I jump these story writing muscles. Well, I just wanted to share my "pictures" of the hurdles I've just jumped. So as always, Thanks for Listening! Sabrina Louise Andielle Since I started writing Metaphysical Fantasy over a decade ago, people have always asked me what is it. I mean if the glazed over eyes don't give a red flag then the tilt of the head does. So, I took the time to break down what the fantasy of metaphysics is.
Britannica Online Encyclopedia Defines Metaphysics as such: "Metaphysics, the philosophical study whose object is to determine the real nature of things- to determine the meaning, structure, and principles of whatever is insofar as it is. Although this study is popularly conceived as referring to anything excessively subtle and highly theoretical and although it has been subjected to many criticisms, it is presented by metaphysicians as the most fundamental and most comprehensive of inquires, inasmuch as it is concerned with reality as a whole." Now with that lengthy definition image the theories being presented in a novel, approachable way. Stories that deal with the Matrix we live in and how to navigate it. That's what I and others do. Hopefully, you'll find entertaining discourses from the emerging crop of metaphysicians going about there job description with a little fun, joy, and happiness Thanks for Listening! Sabrina Louise Andielle I'm in the process of getting ready to launch another attempt at being the new life myth maker, and metaphysical fantasy writer. One reason that I write is because I have the drive and desire to share what I find to be cool and amazing. And there are plenty of cool stuff when it comes to religion, the matrix, and even our plain old life here within the hologram.
For any serious cutting-edge writer, saying things that may cause others to question their beliefs and what you are sharing, is the reward in and of itself. It took me a long time to realize this. It's my job to get you to say, "what if?" or better "What The Hell?!" It is not my job to coddle educate everyone to my ways; save lazy readers and doers from or lead them from self-destruction. It is my job to entertain you while I take you on a journey. A journey that will instill bravery, curiosity, devotion even, and heaven forbid motivation. New myths are needed since we are learning this internal, Spiritual stuff at a speed which runs laps around our ancestors. It ain't just the technology folks. And like any generational teachings we need to build upon the myths which have sustained us. Especially the women. We must know the rules in order to break them. Once we know what the masculine has created we can then chose to reflect it back as healthy and whole or find and reflect a new, undiscovered, little s, source, because the big s, Source is always looking for ways to manifest and become creative in the hologram. Not that I'm leaving the men behind, they need to admit they are lions and leave the sheep along. It's safe. Knowledge is in fact the only sustainable power. So, when it seems as if your work cause ire in another remember to dust the sand from your sandals and got to the next person. Of course, you have to know what you're talking about, which will come with time; but other than that . . . myth making is one of the more joyous, playful, and delightful ways to contribute to society as a whole. Thanks for Listening! Sabrina Louise Andielle Sometime our effort to avoid hurting another's feelings can cause greater damage to the one we're trying not to hurt.
The longer I deal with being a member of the community of authors, the more I realize that we need to hold each other to the fire; especially when we have the water nearby. True some things are best learnt by experience. After all, we are a living experience having multiple experiences. But, when it comes to the art of fantasy storytelling there need to be elders, masters, and leaders who can demonstrate the way to masterpieces. The biggest issue, and foundation of the problem, is learning to slow down so you can receive, plan, and organize your story before you start to put it in manuscript form. We authors are healers, way-showers, shamans, and teachers. What we do cannot be produced in an instance nor will the results appear within the hour. If you think that you can, or that they will then you'll become more disillusioned than the very people you're working toward helping. This is not a glamour game. With all that said, I need to check myself because there are only so many teachers who can teach for the sake of the art. As in all things classic and novel, there is a misunderstanding that what the professionals do can be duplicated with ease and with little to no training. Writing is no different. So, let me share 3 things that I've learned over my twenty years apprenticeship. 1) You need boundaries and a mission statement. Without knowing what you stand for, you will be all over the place. There will be no proper beginning which makes it hard for resolution since you don't even know what it is that is trying to be accomplished. As for the middle, what middle? There will be none since you don't know where you're going or where you're coming from. 2) You need to sit on the curb and let Spirit do what Spirit does. We are channelers. Face it, accept it, live it. If you are good at what you do as a myth maker, you will be pulling from the collective unconscious constantly. Think I'm wrong? We humans use only 10% of our mental capacity therefore there is no way we can function on this reality and pull stories based in other realities with little to no transition in awareness without help from an invisible Source. This means that there must be time to connect, to receive, to process, to manifest, and to package what we get. Patience is a virtue, especially for authors of novels. 3) You need an elder, colleagues, and Beta readers to just discover who you are. In other healing fields you have the an elder or elders to prepare you for the challenge you're about to partake in, we authors have had to scrape together information (until more recently) this is a waste of the little time that we have for writing and learning by trial and error. This has got to change but only we authors can change it. Colleagues are for more than cheerleading and co-authoring. We are students together and can see and misunderstand things together. Together we can tackle and if need be change tricks of the trade. Fellow students are watching and hopefully helping you expecting you to see what they see even if you don't do what they do. Beta readers can make better resources than editors when you are still striving to become published. Need I say more about your fellow canaries in the mine? If we handle these three, we will be able to produce stronger medicine with tasty sugar that is invisible to the eye, especially our eye. Thanks for Listening Sabrina Louise Andielle I've been told until the manuscript is completed, there is no way to write the synopsis. When I first heard this piece of advice I was bull-headed. There was no way to know what was going to happen and if you've got things happening without the dreaded three or five pages of review. This, the synopsis, was way to knowing if you had an idea or a story, if you had conflict, but most of all if you had the three cores [beginning, middle, and ending.]
With each project I've done after learning about synopsis, premise, theme, and message, I've made certain to attempt to iron-out these required pre-writing tools for my project. But as I would finish, I felt uncertainty with what I had. This uncertainty would manifest into an nonpunishable manuscript; although these jewels were lessons, they were lessons that were slowly cut from stone. My frustrations couldn't subside because I knew that those formerly mentioned pre-writing tools were part of a writer's stable of tools which enables the writer to go about writing sketches and organizing the mammoth that is a novel of an idea. Finally after no longer pretending that I could complete these tools pre-written manuscript, in Hour of Change I was able to go from synopsis to the writing of the 1st draft with the shifting ease of an automatic transmission. The writing gods and goddesses were kind upon me; but, more than that, I was the one who made the decision that I would go back and forward with the pieces until I had something that resembled an outline and 1st draft manuscript. These two birth the synopsis and polished first 50 pages. Which is the purpose of this blog post. You will need a good, hardy, consistent, outline. Nothing too deep but something that will take you to your destination with little sight-seeing that many novelist include in the completion of the manuscript. Many writers, such as myself, believe that we can't begin without a synopsis but whatever synopsis that is written will need to be constantly updated until the novel is finished, i.e. placing the details that will not/ could not come out until the actual writing. Making it more liken to an outline. An outline that I prefer. The synopsis which is required for submission to an agent or a publisher will not look like the ones written when the story is first coming to you. As they should. This means one of the biggest headaches can now be let go of. Just drop the rope. The secret, I learned, nail the synopsis through re-writing until you can start writing sketches, defining setting, and fleshing out characters. Then put that darn synopsis in the brainstorming file which you should have squeezed all life out this file contents. Start the manuscript writing process. Finish it. Then write the synopsis draft for solicitation. Compare it to what you've actually have in your manuscript then adjust as needed: either on the synopsis end or the manuscript's. Repeat this process until what you intended to say when you first wrote the synopsis is what you're saying in the manuscript, but more importantly in the synopsis. First advertisement, this highly glorified book review/report could actually determine the rate of speed that your project get published or sat in a drawer until skill match dream. Thanks for Listening Sabrina Louise Andielle This will be short. This will be quick. I have completed the final draft outline of Hour of Change a The Chronicles of Mow Yen novel. It's looking like this baby will be 34 chapters and 67 scenes long as of yet.
I have that important set up which takes the protagonist, Mow Yen, from living as the incarnated Queen of London in the year 2027, Elizabeth IX, to dying from slipping on ice, which enable her to regain her soul's personality- Mow Yen. Upon meeting her newly assigned guardian angel, she is then informed that she will be relocated from the 3rd dimension to the Welnikov dimension per directive of the Creator-Thinker-Host. Welnikov is where gods such, as Zeus and Odin, and goddesses such as Hecate and Hel currently live. Mow must gather 3 teams of 5 in order to return to the 3rd dimension and divinely intervene in the evolution of Humanity (humanity is on a cusp and can go either way without some help.) But first she has to deal with the upcoming Ritual of Death in which the masculine essence of Gaia will die only to be replaced by some male that lacks the understanding of the feminine essence of Gaia if someone doesn't help. I have the middle which is filled with action and introspection. Mow is sent to the Netherworld, she meet an old friend, herself, a daughter of the moon, then come face to face with her personal evil. There is also a military combat engagement between the military of Hecate and Po's (Mow Yen's masculine equal; her twin flame.) All seems lost as Mow's side quest kills her. But I mustn't give too much away. I have the resolution in which Mow completes the side quest, reorganize Welnikov's foundation structure, and begins to accomplish her original task of gathering help for the humans. This is the 2nd novel in The Chronicles of Mow Yen series; and it will be healthy and screaming once it is born. I've been working on this since July 2018. Thanks for Listening! Sabrina Louise Andielle This work year's project has been a blast so far; but I've only been at it for almost three months; and that has been purely creating for about 4 hours a day. No editing yet, only puzzle pieces coming together. The title of the 2018-2019 project is "Hour of Change." It's the next installment in The Chronicles of Mow Yen. In this story, I tells how Mow became the Champion of the Essence of Gaia.
The conflict is, once again, internal- can Mow maintain herself while accomplishing her external goal. The external goal: to prepare the former gods and goddess for a significant shift in awareness by all humanity. I will be / I have already completed: Introducing the main influence of the Earth: Male Gaia Essence- Vu and Female Gaia Essence- Deja. Introducing settings: Welnikov, Mystical Rose, and the Netherworld Introducing serial characters: Hina, Hel, Hecate, Zeus, Odin, and Po So far my writing routine has tighten up and I'm spending more time on planning, sketches, and filling out characters and setting. I'm tightening up plot by honing in on sharing one plot line, three sub-plots, and laying the foundation for a love story. I've learned from Lady Agape & The New Dimension how to create a middle! Big thing as I didn't know that the middle build on the foundation of the beginning and set the foundation for the ending. It's also all action. Well there are moments of rest as pacing is important so I do take pauses. But enough shop . . . I have added to my collection of muses- the Elohim, the seven creator spirits of humanity. This is awesome. Again, these are the ones who decided to make man in their image. I'm looking forward to the unfolding of the adventure that is me, community, angelic realms, and the Elohim. Once again, Thanks for Listening Sabrina Louise Andielle There is something about claiming your Psyche and losing you Personality. This is especially so for the writers of new stories. Stories that will one day motivate and instruct. We must allow ourselves moments of being captured by the Muses (if not the Angels of Creativity- Archangel Gabrielle I'm looking at you!) and allow them to take us to the river's reflective waters in order to see that we aren't sheep; but lions.
Writers today have no excuse for not pushing the limits and midwifing, if not birthing, a new day with a new story. Joseph Campbell and Carl Jung were two ground breakers who crushed the divider which kept the storytellers from writers, in addition to, giving both the understanding of what made the myths and folklore of Ancient and Olden as transformational as they were/are. Not only did these gentlemen break barriers, but like any constructive elder, they laid foundation for the next generation. Now, don't misunderstand, I don't agree with everything that those two wild and crazy guys did, but I do get their intentions. The intentions point of origins I understand. I don't make the mistake of taking what they said out of the context in which they said it. Their biggie statement that get me is the proclamation stating -in not so many words- that women didn't necessarily having to go on a dragon slaying journey when the real dragon was the Shadow Self. But according to them the causes and motivations for the journey, women already had within them. So, they asked, why would women risk hide and hair to do the same thing that men were doing? I understand their thinking but time has proven their final decisions in this manner to be as solid as Darwin's decision about evolution. Yet, we cannot deny that we can combine the ideal journey these two gentlemen saw, and build a new. I, personally, stand on their shoulders and show them that the elixir which the feminine energy returns with is just as needed by the community- if not more so. I use strong feminine characters who believe in a force larger than themselves, use a weapon just as well as they use their wit, and most importantly these female characters strive pass the need to unite with and imitate the masculine. I'm certain that I'm not the only female writing myths for the human community. If I am then I invite you. Come jump in the deep end of the pool. With each day, I understand more about mythology of yesterday so I can contribute to the new myth that has been growing since the 1990s. The great myths of tomorrow for tomorrow. Those myths which still goes about penetrating the labyrinth of the earthling psyche whether it be a spiritual being having an earthly experience or an earthly being having a spiritual experience. That is the myth that I work for and on. And, I'm loving every moment. As Campbell would say, I've found my Bliss. May you find a good story to keep you motivated. Thanks for Listening Sabrina Louise Andielle |
AuthorOne of those writer folk telling stories, reviewing the writer's adventure, and presenting the hero's journey. All wrapped in Spirit, the Kingdom of God, the Sanatana Dharma, the Tao, the Way, or the Absolute. Archives
February 2020
Categories
All
|