I can't believe it. I've polished this Character List to its final shine. In other words, the main characters, antagonists, and protagonist are established and written in stone. I know their voices. I know the motivations behind their actions. I'm so excited that I had to share. So, without further ado, without any particular order, here are the 16 beings living in Welnikov that The Chronicles of Mow Yen: Hour of Change is focused on.
Herkin: The masculine Mein Fate of the Future. His is the adultlike voice which is always pushing Mow to engage in the going on of Welnikov. He is aware that Mow's stay in the Welnikov Dimension is just the setting for Mow to complete her Initiation, Integration, and Transformation for her 2030 task in the third dimension. His words and actions are always calculating even when he presents them as spontaneous. Chekin: The masculine Mein Fate of the Past. His is the childlike voice which is always dragging Mow to engage in the going on of Thebes Tower. He is aware that as the child of Mikin, Mow has lived a difficult life on the third dimension and must forgive in all ways and all directions before she can truly transform into the leader of the Welnikov Team 15. His words and actions are always gentle even if they aren't kind. Mikin: The masculine Mein Fate of the Present. His is the adolescent-like voice which is always trying to prevent Mow from involving herself with anything besides the command to Gather, Prepare, and Instruct the Welnikov Team 15 for the 2030 task in the Third dimension. His words and actions are always forceful even if his intent is to be spacious and allowing. Deja Jung: The Feminine Essence of personality for the planet Earth/Gaia. Hers is the manipulative voice which is attempting to seduce Mow into preventing the Death Moon Ritual even though prophesy states that she will die if the ritual is stopped. Her words and actions are flattering and misleading until circumstances demand for her to be the primal being that she is. Vu Jung: The Masculine Essence of personality for the planet Earth/Gaia. His is the coy voice which supports Deja in seducing Mow into preventing the Death Moon Ritual, even though prophesy states that he will live his remaining years as a reflective part of the planet if stops the ritual. His words and actions are hesitant and liken to that of a host of a manor or a mansion in the process of being foreclosed. Wayland Smith: The outgoing Champion of Gaia. His is the confused voice which is doing what is right, thereby having to live with the consequences of doing wrong, in order to incarnate on the third dimension in the year of 2030. His words and actions are crypted since he has been assigned the position of Vu's executioner and doesn't know who to trust. (Antagonist) Titan/Goddess Hecate: The Commander of the Dead of Welnikov and the eventual temporary replacement of the Feminine Essence of personality for the planet Earth/Gaia, after Deja is sucked into the Netherworld. Hers is the voice and actions of desperation and intimidation attempting to grab control over the rulership of the planet. (Antagonist) Olympian God Zeus: The chief god in the Cad' lad territory of Welnikov's Netherworld and eventual temporary replacement of the Masculine Essence of personality of the planet Earth/Gaia, after Vu is sucked into the Netherworld. His is the voice and actions of projecting and dying domination and expectation which has outlived its season. Thereby he is fighting to hold on the glory of yesteryear's consciousness. Goddess Hel: The Keeper and Charge Maiden of the Book of the Dead of Welnikov who teams up with Mow in order to remove Hecate and Zeus from their new positions in Welnikov's PiCaddily. Hers is the voice and actions of true unconditional love, assistance, and performance to Yahweh and the Creator-Thinker-Host thereby she is the same truth for Mow. Archangel Slone: The personal guardian angel and Archangel assigned to Mow in all ways and all directions. Hers is the voice and actions of feminine support from the angelic realm which is a mirror to Archangel Michael. She is rarely seen but is always nurturing and motivational when she is. (Protagonist) Mow Yen: System Buster who has become stagnant. Relocated to the strange dimension of Welnikov, hers is the voice and actions of some one who is fighting the process of growth into a new position of true abundance and love. She must learn unconditional love while maintaining the energy and dedication to destruction- she is a true angel of Death. Young Mow Yen: Mow Yen's inner child and free bird, her purity of soul which hasn't yet abstracted herself to meet others' expectations- not even a sexual and sensual Po Li. While Mow was building her reputation on the third, Young Mow ran away to Welnikov. Now that the two are reunited, hers is the voice and actions of healing, learning, adjusting, and ultimately dying so that Mow can learn her lessons of leadership, unconditional love, and co-creating with the Creator-Thinker-Host in support of Yahweh and the Children of Earth/Gaia. Po Li: The Twin Mirror of Mow. During previous incarnations, Po was the one that carried the shadow energies leading to the destructive energies which imprisoned him in Winton Harvest of Welnikov's Netherworld. His is the voice and actions of sharing, forgiving, fighting, and evolution from journey to adventure so that Mow can become a realized demigoddess by partnering with him and his powerful gifts of manifestation, offering the third dimension a model of authentic love between partners and as individual halves. Guardian Statue, Copeland: The statue on the right which gives Mow a hard time before agreeing to let her pass through the gates. His is the voice and actions of self-doubt as he was created for that purpose. He will speak the doubt that is in the heart of the living being attempting to enter the Netherworld of Welnikov. His confrontational mannerism cause Mow to think twice about where she is, where she was, and where she is going . . . Mow needs him. Guardian Statue, Striveland: The statue on the left which gives Mow unconditional support before and after agreeing to let her pass through the gates. His is the voice and actions of self-confidence as he was created for that purpose. He will grant the patience and encouragement which is part of the core, primal energies of the individual and collective. Not as protective as Copeland, but he does get the job done with joy and ease. It is he that asks the questions. Daughter of the Moon, Hina: The young feminine energy which has been sent by the Moon to aid Mow in her task for the evolution of the Thinking Man back on the third dimension in the year 2030. Curiosity of Circumstances, Hina is intrigued by Mow, Po, and Young Mow and therefore accomplish her purpose of becoming the new permanent feminine essence of personality of the planet Earth/Gaia. She, in her newfound position, grants everyone she travels with while attempting to enter the Mystical Rose, the freedoms to accomplish the Divinely Assigned Tasks buried in their hearts. Younger than Mow, even, Hina must learn to balance the Masculine and Feminine Essences before her Masculine takes his position besides her. Hers is the voice and actions of unconditional love and service in training for a higher calling. I know this was a long post, but thanks for sticking to the end. Once again, thanks for listening! Sabrina Louise Andielle
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With the coming of the 2019 New Year comes the first hardwood deadline for Sabrina Louise Andielle. I have until 1/31/19 to send out the first wave of required material for consideration of representation by an agent. This means I'm starting to understand why prolific authors have wheelbarrows under their eyes.
I have my pitch: Hour of Change is the story of a System Busting Demigoddess who must relocate from the Third Dimension of humans to the Welnikov dimension of goddesses and gods, there she must heal her understanding of unconditional love and complete a journey to break down one of Welnikov's oldest Systems. I have my paragraph synopsis: Hour of Change tells the story of 48,000-year-old demigoddess, Mow Yen, relocating to the Welnikov dimension before the completion of her task of evolving Mankind of the Third dimension of Earth with an "unforeseeable leap." Once on Welnikov, Mow discovers that her hope of returning to the Third, by completing an assigned task of gathering 15 gods and goddesses to aid her in evolving Mankind, is going to be harder than she planned; as she must bust one of Welnikov's oldest systems which can only be done by her gaining a new understanding of unconditional love- thereby returning her, and a new team, to the Third enabling Mow Yen to accomplish her Soul's Core Directive of Creation. My one page synopsis is too long to post here (in this entry) but it's coming along and I'm adding shine to it. I'm pretty sure about the first 50 pages- I never knew how much telling the initial couple of drafts hold. Talk about a cutting room floor. I'm putting the finishing touches on the entire manuscript, especially the ending- which I just added a god to today which will put more flesh on the bones of this story and create an even better set-up for the next in the Chronicles Series. Most important, I'm getting ready for rejection and inquiry. Working on it 6 to 8 hours daily is giving me confidence about a subject matter which hasn't been tried in such way before. Hearing it play out is giving me courage to share myself with the profession of publishing. So, in all reality I have 2 weeks left to tinker with this thing. I can dig that! Anyway, I just wanted to share the excitement and motivation. Thanks for Listening! Sabrina Louise Andielle. I think I've mentioned I'm going a different route with Hour of Change. I'm going to seek an agent instead of trying to continue publishing books by myself; so, yeah, I've telling you once more, okay?
Funny, the thought of having to put my work before a professional someone who can help me leap professional publishing hurdles more swiftly and accurately is a little nerve wreaking. Again, there is a level of professionalism which must be presented before you really can begin stretching your legs with an independent, creative streak. Being that I'm committed to this, I'm willing to color in the lines now with a minimum flare of "originality of me." I understand that storytelling and story writing are two different things and now that I come out my apprenticeship of one area its time to enter the other. I'll be the first to admit that the process of self-publishing is a team effort; at least now I can. And, a team is something that I do not have, no matter how much praise and encouragement I receive. If you ain't paying money then most of the time only your true friends have time to assist you and most of the time they know just as much as you, if not less; especially when you're just starting out. The energy, emotion, and expression needed to start a publishing house from nothing with nothing, knowing nothing is damn near impossible and that is something that I didn't understand when I started Seasoned Storytelling. But being that this Universe loves the underdog, I'm not giving up. I'm just going to gain an education on how to own a publishing house the way I've learned everything else, through an apprenticeship. What apprenticeship you ask. There are no such thing as an apprentice now a days, you have formal higher education. Okay, then I will gain a education by becoming a professional author under a professional publisher. There's is nothing to lose but pride. So pride be gone! I've been working hard, diligently, and differently on my first proposal project: The Chronicles of Mow Yen: The Hour of Change, for six months now and I have now reached a couple of hurdles. First, I received feed back via Beta Readers of my first 50 pages and with the exception of a few minor adjustments those pages are ready to be in the Beta Manuscript. Second, I just completed the first draft of the second 50 pages. Third, and last, I have planned the entire middle out and although it's not written in stone, it's a great guideline which will keep me on target of presenting well paced action. See, I've learned to set the stage. I've learned how to wrap up. Now I'm polishing my skill of unfolding action. The thing I love about Metaphysical Fantasy, it's life and there is no need to present explosions and/or murder for shock value. The action isn't break neck entertainment but informative and healing to the soul as we watch a group of individuals get out of a situation which is meant to strengthen the Logos/Way/God by strengthening said individuals by breaking the individuals by breaking the connection with the Logos/Way/God. That's what the amnesia game is all about. Breaking muscle to build muscle. And that's what I'm doing as I jump these story writing muscles. Well, I just wanted to share my "pictures" of the hurdles I've just jumped. So as always, Thanks for Listening! Sabrina Louise Andielle I listen to my meditative thoughts.
I have a friend who says we healers aren't making donuts, I say we're making and selling bagels. Either way the road that we are taking by writing myths, metaphysical fantasy, visionary fantasy, and even paranormal fantasy is not an easy one. Plain and simple we are guiding a group of people who most likely are sleep walking through life and our pieces of entertainment is the closest they will get to swallowing medicine for awakening the spirit.
Demystifying the mystery. Making the effable plain to any one- even a teenager. These are the things that we must do out of duty to the collective whole and greatest good. But we must not get on soap boxes out of self-righteousness, we must be aware of the motive behind every word we speak; no preaching or judgmental accusations allowed. Instead, we are duty bond as vow takers (with conscious memory of our taking the oath or subconscious drive and motivation) to walk the walk while we talk the talk. We should be walking our own journeys and that means that we will eventually come to an impasse. When such deadlock appears in our way we need do anything that we wouldn't ask another to do. Blockades are good for the journey to Self; especially when we as writers/guides are taking the initial run through. This is the time when we should be sitting down and reflecting on what it is that we are trying to communicate to our fellow reflection. The original reason for engaging in such a task as being a healer/writer will be examined and we will see if we have what it takes to guide others through our personal darkness. Because our "individual" journey, I say adventure, is the collective journey, truthfully. Lastly, this is a time to go within to our Source and Supporter, our Guide and Companion, to review the map of our life. Reviewing these three will afford us the rest due for reaching the end in whatever condition we're in. Impasses aren't to be cursed. That's what I'm going to my grave saying, because my adventure has always changed directions and allocated time for resting, regrouping, redirecting, and rebuilding or repairing what's being accomplished. Here's to good rest, reflection, and redesigning at each and every one of your impasses. Thanks for Listening! Sabrina Louise Andielle I have done it. I have gone even further than I've gone last year. I'm writing two stories again. The first being Mow Yen's Hour of Change and the second being Tapestry Chronicles' Shifting by Divine Decree. I've already shared details regarding Hour of Change, so here's a little about Shifting by Divine Decree.
First, Global Shaman & Solider of Father-Mother God, Aliyah Geode must go about leading the task of awakening the uninitiated children of the 3rd Dimension to their next step toward wholeness in the deity she serves and knows. This would be easily accomplished if not for the fact that she herself has only been awaken to who she is for 15 years. With Spiritual sleep still in her eyes, she's having to embody patience as she gathers her personalities of Soul, humility as she balance her power and intentions, and loving devotion to a deity that has been accused of lacking the ability to be the strongest of all the gods in the valley of death. Second, young warlord from Manu Island, Semyaze Hardford, has found a portal between the 3rd dimension and Manu Dimension. In an attempt to prove himself and contribute as none other warlord has, Semyaze uses the portal to attempt recruiting one of Aliyah's destined Shaman proteges, Roshni Garnet. If Semyaze accomplish his goal, he would severely aid the destructive darkness, which has been encroaching on the 3rd dimension for 6,300 years. Third, assistant to Ovinder, one of the Elohim, Ang Ben and Aliyah Geode must work out their romantic intimate relationship; while continuing their partnership to bring about the true age of paradise on the 3rd dimension. Working through their feelings mean they will have to finally face the consequences of their previous attempts at being a couple divine. Last, Roshi Garnet must experience being spiritually forced open by Mya Divine, the dark witch, and her coven of invisible beings, then attempt at balancing and maintaining herself. That's the story plot and subplots. Next I work on the goals, premise, message, and theme. After I've complete those steps I can begin sketching, planning, and outlining. Great! Great! Great! I'm loving this! I spend 4 hours a day on each project, HoC and SbDD, and not only does time fly but I'm growing along with the projects. I think I'm polishing my professional process as a novelist. -Thanks for Listening! Sabrina Louise Andielle This work year's project has been a blast so far; but I've only been at it for almost three months; and that has been purely creating for about 4 hours a day. No editing yet, only puzzle pieces coming together. The title of the 2018-2019 project is "Hour of Change." It's the next installment in The Chronicles of Mow Yen. In this story, I tells how Mow became the Champion of the Essence of Gaia.
The conflict is, once again, internal- can Mow maintain herself while accomplishing her external goal. The external goal: to prepare the former gods and goddess for a significant shift in awareness by all humanity. I will be / I have already completed: Introducing the main influence of the Earth: Male Gaia Essence- Vu and Female Gaia Essence- Deja. Introducing settings: Welnikov, Mystical Rose, and the Netherworld Introducing serial characters: Hina, Hel, Hecate, Zeus, Odin, and Po So far my writing routine has tighten up and I'm spending more time on planning, sketches, and filling out characters and setting. I'm tightening up plot by honing in on sharing one plot line, three sub-plots, and laying the foundation for a love story. I've learned from Lady Agape & The New Dimension how to create a middle! Big thing as I didn't know that the middle build on the foundation of the beginning and set the foundation for the ending. It's also all action. Well there are moments of rest as pacing is important so I do take pauses. But enough shop . . . I have added to my collection of muses- the Elohim, the seven creator spirits of humanity. This is awesome. Again, these are the ones who decided to make man in their image. I'm looking forward to the unfolding of the adventure that is me, community, angelic realms, and the Elohim. Once again, Thanks for Listening Sabrina Louise Andielle I am in the process of creating a most exciting forthcoming project for the follow up to my current short story available for sale, Again: From Gatekeeper to Earth Walk Departure. It is another Mow Yen story and it expands the world which she is currently incarnated in- the 3.51 dimension of Earth.
In this story we see how the Champion of Gaia, Mow Yen, goes around her sponsor and snag herself a mentor. None other than Sun Wukong; China's famous Demon Monkey King born from a Stone Mountain and key participant in the Journey to the West in order to retrieve some Buddhist scriptures for translation. This is the one and same young monkey who named himself, "Great Sage Equal to Heaven." So I'm tinkering with something that is honored, tried, and true. This is a challenging project because my story, Monkey God and His Protege, tells how Mow Yen and Sun Wukong became spiritual partners and friends until the day that Wukong leaves his body to be reincarnated again. I understand that I must be respectful of this beloved character. I'm doing my research and I swear to do right by the Monkey King (God in my story.) He is a key character in the Chronicles of Mow Yen and will be in the novels as a mentor/wise sage until he passes. His role will follow that of mentor in the Hero's Journey championed by Joseph Campbell. I envision this Monkey God as being the Monkey King after he has matured and aged like fine wine. He was already known as an example of "pursuing your dreams and ambitions, in the face of numerous obstacles and challenges; and only with cleverness, determination, and courage will one be able to overcome them to achieve success." Now he will be seen passing this knowledge on to next generation. I'll do right, promise. Thanks for Listening! Sabrina Louise Andielle There are a few things I know for certain. One of them is the fact that I will adapt in order to survive, like anybody. I know, or maybe I'm learning, that my purpose of writing is to bridge the gap between the animal and god consciousness of Man, by aiding in the social evolution of the collective consciousness. More importantly, my aim is to entertain and to serve the societies doing this social evolutionary growth with my writing. As many of you know, or as I hope you know, I'm just starting this professional journey of artistic activism. I have no credentials other than my growing love for the God I see in others, my own growing experience of consciousness, and my ability to walk and talk with the angels. So, my view and understanding of what I'm doing is ever expanding; ever transcending even.
Now that I have officially put creative energy into the "pot," I've come to the point where I need to decide basic things that I'd either put off or didn't know I was to deal with. The first being what are my immediate goals? That's the biggie. Then there is what are my preferences? Or how about this; who is my targeted audience? All key questions that could be considered the corners of a writer's triangle. But before I can answer any of these I must . . . say it with me, know myself. Currently, I'm changing so much that I think its best to just stand in the eye of the storm. I can't answer those questions or the many others being thrown my way. Closing my own gap is what's important at the moment. This means I'm discovering not only how to see God more clearly in others but how do I serve, appreciate, and deliver on what I say I'm going to do. My current short story is that of Mow Yen going and meeting with her mentor, Monkey God, in private for the first time. That's where I'm at. I'm going in the sanctuary of the holy and gaining insights on how to be "Gaia's Champion." Mow Yen is Gaia's champion after all. I want to be like Mow Yen. There's nothing more to it than that. Before I attempt to tell a behind the scenes story of the preparation work for a long journey of serving others by defending the wisdom, power, and love that is humanity, I need to do my own preparation. I have to do it effectively and efficiently, smart and swift. I can do it, I've done it before. Only difference is this will be the first time that I'm sharing what I do and how I do with an audience. Then again, that's what writer's do. At least some of us. Thanks for Listening! Sabrina Louise Andielle Still on track and here is the description of the Short Story- Again: From the Gatekeeper to Earth Walk Departure.
Will be uploaded next week. .99 cents on Smashwords. Free 30% sample will be available. Mow Yen, demigod of Earth, has died once again. Meaning another trip to the Heavens of Outer Space. There she will discover if she must return to Earth and continue as a System Buster or if she can finally receive the body of a Supernova or a black hole which she’s craved for since her reunion with her Soul Twin, Donnie. From climbing the spiraling silver staircase in order to see the Gatekeeper who is known to refuse 99.9% of those who come before him, to an improv meeting with God, Who Are in Heaven, Hallowed Be His Name and Jesus, Lord and Savior. To barely enduring a less than desirable assessment by the Elder Council. Wrapping up with a personal visit with Archangel Michael before heading in the direction that the Elder Council has deemed best. Mow Yen, recalls it all only to share it in a poetic prose. We should be grateful that this time the powers that be have allowed her not only to remember enough about her process that she’s able to write it down for all to see but she’s gained their blessings to put her version of her trip in print. Finally, Earthlings have received a behind the scenes look at what a System Buster must go through before they can proceed to their next incarnation. Whether it’s another assignment on a planet in ignorance and lies, a training planet in the ways of peace, power, love, and wisdom, or as a cosmic body in outer space teaching the very definition of allurement. As always, Thanks for Listening Sabrina Louise Andielle |
AuthorOne of those writer folk telling stories, reviewing the writer's adventure, and presenting the hero's journey. All wrapped in Spirit, the Kingdom of God, the Sanatana Dharma, the Tao, the Way, or the Absolute. Archives
February 2020
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