There is no doubt, in today's society it isn't easy being a god or goddess. The proto call is for religious figures to be oppressive and greedy that is the formula that was created by the Annunkai. For El Yahweh, she doesn't care for such things, she will do what he need to do in order to lead all humanity to their prime creator's true wish which is acceptance of self. He knows that all humanity is wired and created to believe in things outside of self (something El Yahweh wish to destroy or re-wire.) This means that she has to do things that most gods aren't willing to, including getting on the ground and working with her anointed ones. El Yahweh has selected a rather large group of various species from all throughout the Milky Way to help with his "big plan" of empowerment, independence, and freedom.
El Yahweh knows that history proves that humanity, no matter the individual life force, is programmed to energize "religious leaders" instead of enjoying life in a wholesome system through creativity. Advisers have informed El Yahweh that it would be harder to break the religious systems than to influence it; therefore, he is going to influence Earth and Humanity. The truth is, humanity believes that by having boundaries of separation they are special, but there is no specialty outside of unity, he believes, as does her team. A united world order is required, a hive mentality. There are no chosen people, all are under the leadership of some form of non-human, spirit form beings and these beings are working toward division and segregation; "keep them fighting them, they will never be fighting us." This is what they say. This is more than diversity of the shallow unification of race, religion, education, gender, or spiritual awareness/understanding. This is stripping down naked to everyone in the human form and taking your "individual" position and living to the fullest. This is the influence El Yahweh will have on humanity and Earth. Thanks for Listening! Sabrina Louise Andielle
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I was reading a history book. In the Introduction the author, Mark Booth, states that others have tried to cover the issues of esoteric religion and philosophy but they are either shallow or ill-informed. I took that comment kinda personal and with my heart on my sleeve. I say that because as a 47 year old, I have been seeking for 15 years. I say that because I'm learning how to combine the arts of storytelling and faith with the understanding of religion and philosophy. I say that because I am doing Visionary, Metaphysics, Esoteric Fantasy. I say that because I just returned to the starting line.
Not everyone understand, I know right. But we all have a right to understand and that is why I do what I do. I want to stretch the imagination so we can eventually get back to mind then matter instead of matter then mind. I have learned a couple of things in my mission. First, patience is really a virtue. One which you need as rest is mandatory. You just can't absorb all this knowledge that is supposed to be 10's of thousands of years old. Lemuria, Atlantis, Greece, and let us not forget the Illuminati among others. You know this Mr. Booth. Second, not everyone is on your level, they may think they are, but they aren't. Seeing that you see the big picture and not a puzzle piece, again, patience is required. You can beat a blind man because he doesn't see, what kind of animal does that? And Third, I believe that in an enlightened period to come we all will be able to sit and discuss the hidden truths and histories. But, that period is only going to come if those with sight to see, paint; and those with ears to hear, sing. To learn to accurately paint and sing takes patience. You are one of the originals of this era, this period in time. I learned as a young woman that when we are one of the first we must be patient. I guess, I'm taking one sentence to hard. Maybe I'm too serious. Then again, if someone doesn't ask that the professor slows for a moment because the students are moving as fast as they can and still are no where near then we all miss out and frustrations and resentment form. You can't dump bricks and bricks of information on the desk and not expect one to feel overwhelmed. Please don't take my comments to deep to heart Mr. Booth, in a way I'm speaking to myself. Loving your book. See you on the other side. Thanks for Listening! Sabrina Louise Andielle 12/26/71 Why Mow Had to Follow Young Mow Off the Lip of the Canyon. Last Set-Up Before the Action Begins.5/14/2019 In the last chapter of the introduction, Act I, Mow finds herself facing a road block that can't be ignore, seems unbeatable, and is plainly illogical. Then in walks Young Mow. (I will write another post on Young Mow in the future.) But, Young Mow sees Mow leaning against the wall of the cave and ignoring her walks right to the lip of a canyon that Mow must face in order to get her she-demon powers back from Lunar Archangel Slone. (See, Mow must get to the bottom of a canyon that can hold 3 American Grand Canyon, and the only way is to leap off.) When Young Mow leaps with abandoned screaming this act triggers Mow to do the same.
With plot armor, the Mows survive. I mean I can't kill off anybody in chapter 7, can I? Here's how she survive; the bed of the canyon is actually a . . ., Young Mow congers up a cauldron and fills it with water then levitates out of the canyon leaving Mow to figure out how to do the same. But what was the reasoning for Mow to follow in the first place. I mean, Mow is on a Hero's Journey but was it necessary for a leap of faith? Yes, that's exactly why she must follow Young Mow. Following the inner child is so important to accomplish the adult's life purpose. A child will take a leap of faith just for the experience and fun of it. Before we actually begin the action part of our adventure, the Universe challenges us to take a leap of faith because if you can't take it at the beginning when things are just dust filled what are you going to do when things are in pitch black? Most of the times it is the child in us that convince us that it is a wise thing to move forward. I love that in Hour of Change, Young Mow is screaming the entire trip down; even though she knows she's safe. The inner child must be given the reins and considered a valuable member of the team. Even as small as she may be. That's the entire message of the leap off the canyon. The child in you must introduce you to the world that belongs to you, before you can become you and do you, boo. Thank You for Listening! Sabrina Louise Andielle "Listen, you have to get to NaoGarrie so you can meet its master, the last surviving Titan, Hecate. She'll be coming to Reate Gardens, location of the execution of Vu. If she's able to get to the gardens, then that's an omen that she'll be able to take Ary Shack with the help of Zeus. Zeus has been eyeing Ary since he got here, and word is that he's teamed up with Satan--"
"We can't have Satan running loose on Welnikov!" Chekin said, hands wringing like he was washing them. "Yes, yes Chekin." Herkin said. "Don't yes, yes me. We can. Not. Have. Satan. Running. Loose. On Welnikov!" Chekin's head shook from side to side so slowly, yet so hard. Dear friends, that's exactly what's gonna happen. I don't think anyone who reads these updates and discovery posts which I do while I'm seeking out representation, doesn't know Zeus and Satan takes the ultimate stronghold on planet Earth. But the above except comes from Chapter 5 (Act I / First 25%) so its foreshadowing. Of course when I was brainstorming, sketching, and writing drafts after drafts, I had no idea that it was. Just like Mow being afraid of water but ends up being assigned to a water planet was a mad genius at work move. Or a money move? One of the things that I'm enjoying is finding pieces of writer's gold while I'm polishing and seeking. I'm talking about things like knowing you've placed a piece of foreshadowing in the perfect location. It's kind of like a singer hitting a Mariah Carey note middle of a live performance and the crowd goes wild. I think this foreshadowing stuff is more fun than laughing at those humorous lines that we writers are told we must have. Of course this comes after working with no other project than this since July 2018. Plus, that's not including the brainstorming I started in May 2018. I'm learning this story inside and out. Not moving as fast as the pros, but I'll get there. My only hope is once I become that prolific novelist, I'll still find joy in seeing a piece of foreshadowing during like the 5th polishing round and knowing that its there because I put it there. This author stuff is becoming more and more of a joy over being a chore. It helps that I'm reading about the importance of storytelling to the human soul. Like most authors, I'm a little shy but love to talk about my subject matter; such as salvation, enlightenment, and all that good spiritual stuff. This journey to becoming a traditionally published author is healing for me. It is pushing me to know myself; to know my stuff; to be awake and present; and most of all to share my medicine which is storytelling, faith, and imagination. Once Again, Thanks for Listening! Sabrina Louise Andielle Deja is the one fighting to stop this killing of Vu; so it would appear. She's the one who is verbally combative with Mikin when he is pacifying the Jungs and keeping Mow away from hearing their case. If we live in a tic for tac world (which many of us do) then Mow become in debt to Deja moments after arriving on Welnikov. In fact, the very act of attempting to bypass Mow and her powerful ability to destroy is how Mikin kickstarts the Deja and Mow relationship which ultimately kickstart the adventure/journey Mow has in order to receive her covenant with El Yahweh.
You can't out master the Master, Mikin! By Deja staying true to her dreams and speaking her truth, a new masculine energy was born, she was released from the reality that she would have remarried and retained a position that she didn't really enjoy. I mean, Deja and Vu were standing on the horizon watching El Yahweh create order and life with the Word. They were beings of chaos and served their position as the Masculine and Feminine Essences of Gaia just to a ripen disposition. There is no doubt in my mind that the old Deja, the Witness Deja, would have told El Yahweh where to go with the whole Death Moon Ritual which would kill Vu and leave her for another if not for her time spent as the Feminine Essence of Gaia. The old Deja would have killed Mow on sight, sending Mow to Paleolympho, Land of the Dead, after Zeus had sent everyone to Nigelmin, underworld of Welnikov. Yeah, Deja, and Vu for that matter, lived out their days simmering so that when it was time for toxic masculinity to be absorbed in the collective energetic source of Porthe Hole they could play their role. To be connected with another who has purpose with you. To be connected with another who love you like a Celine Dion love song. To be connected with another who will ride or die with you like a rapper's imaginative girlfriend. Means you have everything. Means you have power. Power that some are unable to harvest and stabilize. I mean Mow Yen and Po Li have a tight relationship, don't get me wrong, but it is in the beginning stages while Deja and Vu Jung have ran and completed the race and this they know. They're so confident in their combined strength that they only depend on El Yahweh to lead them, the unit, the couple; because, they know their combined power of rage and destruction is so strong that the only thing stronger is their love. Part of me wonders, did Deja know that when she was disembodied and sent to Nigelmin, she was in fact on her way to Porthe Hole? And could it be that this thought, this realization, frighten her into thinking that she would never see Vu again thereby doubting El Yahweh's dedication, love, and compassion toward the beings in its family? If only for a moment. Yeah, it did and that is what motivated Deja to push Mow so hard in the beginning. It is also what convinced her to stay around Mystical Rose and thereby lose her life force and be sent to Porthe Hole- she was searching for Vu. Bottom line, like the Theme of Hour of Change, Deja had to die. See, she could understand the need for Vu to be replace but not her, nor could she see herself with another male. For these reasons she had to, again, die, and die the way she did, then being a creature older than Creation, she had to return to Porthe Hole to one day be reborn. Like Mow she was afraid and like Mow, when she returned to Paleolympho to find Vu waiting she, realized that Her God is an Awesome God. Thanks for Listening! Sabrina Louise Andielle Hello! (Trust me, I'm waving)
I wanted to take the time to share a little more of my supportive documents for The Mow Yen Chronicles: Hour of Change. These questions will help you understand how I'm making metaphysicial fantasy not only easy and entertaining, but I'm staying true to some of the more elementary lessons we learn by traveling the journey/adventure of Spirit. Without any more introduction, please, read these ten questions and my replies. If you can think of another question or two, please, feel free to ask.- S.L.A. Whose story is this? Who is the protagonist? This is the Soul's Personality which is Mow Yen story. She is the center of the story and from whose eyes the story is told. What is the protagonist's external story goal? The external goal is to create a new level of evolution for the Thinking Man on the Third Dimension What is the protagonist's internal story goal, if any? (a character without a growth arc may not have one) The internal goal is to not be swallowed alive by the residents of Welnikov. If she can be the system buster that she was created to be then she will be better able to accomplish her external goal. She wants to pass the initiation. What promises does the opening of this story make to the reader? This story promises to deal with the concept of initiation of any part of the Creator-Thinker-Host, and it will be an intriguing and informative. For each character with a growth arc, how do they grow or change by the end of the story? Goddess Hel is more confident in her ability to rule the Netherworld. Mow Yen is in stronger re-memberance of who she is. No longer the uninitiated fool, Mow is now in the position to gather the Team 15 in the month's-time that she has been allocated. Po Li is now understanding of his actions and willing to love. To break his cynical attitude about life. Daughter of the Moon, Hina is now responsible for herself as never before and she takes this responsibility serious. She is now on her journey which will lead to an adventure if she allows it. What is at stake for each character in this story? Could those stakes be any higher? The 3 Mein Fates are being tested and if they fail this as a team they will be replaced as a team. Deja Jung is about to lose her twin mirror and her position as guardian and mother of the planet Earth/Gaia. She is about to lose the main part of her identity as she knows it. Vu Jung is about to gain a permanent position in the galaxy of the Milky Way but lose his twin mirror. He must decide if he still wants to be part of Deja's world. Wayland Smith is about to lose his mind because what he is doing appears "wrong", but it is what's required by the whole of creation; now he doesn't know who to trust. Goddess Hecate is about to lose what she has for a chance to have what she desires and have been told to leave alone. Olympian God Zeus is about to lose his position that he's held on through thick and thin and be returned to the primal energy- regenerated into a total new Personality. Goddess Hel is about to lose the belief that she must play small in order to keep peace in the whole of creation. Archangel Slone is about to lose her stability as an Archangel of stable and obedient beings in Yahweh's Executive Branch of Leadership. Mow Yen is about to be initiated into a new life and devotion to purpose. She must give up being a system buster to be a system buster. Po Li is about to be initiated into true masculinity. He is about to lose loneliness. He must give up the false sense of manhood that was presented to him by the leadership of Zeus. Moon Daughter Hina is to be initiated into femininity and leadership. She gives up her home to help broken people who may be able to change and therefor change the galaxy starting with the planet Earth/Gaia because she will be the essence of this planet until she can receive her masculine counterpart and partner. What are the themes in this story, if any? Initiation is something that we must all go through in order to gain a breakthrough to a higher frequency of living. We must trust in ourselves and in the true creator, the Creator-Thinker-Host. Once we make that shift in belief and understanding, then we will be able to be the larger, more authentic, divine beings that we are. What do you want the reader to be experiencing as they read this story? I wish for the reader to gain either an understanding of breakdowns to breakthroughs which leads to successful surrendering into the initiation, or an unconditional encouragement just from watching a group of connected individuals handle the same theme, initiation, in different ways but their individual contributions still evolve the whole. What main emotions do you want the reader to be experiencing as they read this story? Hope. Devotion. Motivation. Inspiration. Curiosity. What genre do you think this story belongs in? If it belongs in more than one, which one do you think is primary? This is a spiritual/visionary/metaphysical fantasy. With that said, it primarily belongs in the metaphysical genre. Wow! That was a sprint. But thank you for listening! Sabrina Louise Andielle With the coming of the 2019 New Year comes the first hardwood deadline for Sabrina Louise Andielle. I have until 1/31/19 to send out the first wave of required material for consideration of representation by an agent. This means I'm starting to understand why prolific authors have wheelbarrows under their eyes.
I have my pitch: Hour of Change is the story of a System Busting Demigoddess who must relocate from the Third Dimension of humans to the Welnikov dimension of goddesses and gods, there she must heal her understanding of unconditional love and complete a journey to break down one of Welnikov's oldest Systems. I have my paragraph synopsis: Hour of Change tells the story of 48,000-year-old demigoddess, Mow Yen, relocating to the Welnikov dimension before the completion of her task of evolving Mankind of the Third dimension of Earth with an "unforeseeable leap." Once on Welnikov, Mow discovers that her hope of returning to the Third, by completing an assigned task of gathering 15 gods and goddesses to aid her in evolving Mankind, is going to be harder than she planned; as she must bust one of Welnikov's oldest systems which can only be done by her gaining a new understanding of unconditional love- thereby returning her, and a new team, to the Third enabling Mow Yen to accomplish her Soul's Core Directive of Creation. My one page synopsis is too long to post here (in this entry) but it's coming along and I'm adding shine to it. I'm pretty sure about the first 50 pages- I never knew how much telling the initial couple of drafts hold. Talk about a cutting room floor. I'm putting the finishing touches on the entire manuscript, especially the ending- which I just added a god to today which will put more flesh on the bones of this story and create an even better set-up for the next in the Chronicles Series. Most important, I'm getting ready for rejection and inquiry. Working on it 6 to 8 hours daily is giving me confidence about a subject matter which hasn't been tried in such way before. Hearing it play out is giving me courage to share myself with the profession of publishing. So, in all reality I have 2 weeks left to tinker with this thing. I can dig that! Anyway, I just wanted to share the excitement and motivation. Thanks for Listening! Sabrina Louise Andielle. Since I started writing Metaphysical Fantasy over a decade ago, people have always asked me what is it. I mean if the glazed over eyes don't give a red flag then the tilt of the head does. So, I took the time to break down what the fantasy of metaphysics is.
Britannica Online Encyclopedia Defines Metaphysics as such: "Metaphysics, the philosophical study whose object is to determine the real nature of things- to determine the meaning, structure, and principles of whatever is insofar as it is. Although this study is popularly conceived as referring to anything excessively subtle and highly theoretical and although it has been subjected to many criticisms, it is presented by metaphysicians as the most fundamental and most comprehensive of inquires, inasmuch as it is concerned with reality as a whole." Now with that lengthy definition image the theories being presented in a novel, approachable way. Stories that deal with the Matrix we live in and how to navigate it. That's what I and others do. Hopefully, you'll find entertaining discourses from the emerging crop of metaphysicians going about there job description with a little fun, joy, and happiness Thanks for Listening! Sabrina Louise Andielle I'm in the process of getting ready to launch another attempt at being the new life myth maker, and metaphysical fantasy writer. One reason that I write is because I have the drive and desire to share what I find to be cool and amazing. And there are plenty of cool stuff when it comes to religion, the matrix, and even our plain old life here within the hologram.
For any serious cutting-edge writer, saying things that may cause others to question their beliefs and what you are sharing, is the reward in and of itself. It took me a long time to realize this. It's my job to get you to say, "what if?" or better "What The Hell?!" It is not my job to coddle educate everyone to my ways; save lazy readers and doers from or lead them from self-destruction. It is my job to entertain you while I take you on a journey. A journey that will instill bravery, curiosity, devotion even, and heaven forbid motivation. New myths are needed since we are learning this internal, Spiritual stuff at a speed which runs laps around our ancestors. It ain't just the technology folks. And like any generational teachings we need to build upon the myths which have sustained us. Especially the women. We must know the rules in order to break them. Once we know what the masculine has created we can then chose to reflect it back as healthy and whole or find and reflect a new, undiscovered, little s, source, because the big s, Source is always looking for ways to manifest and become creative in the hologram. Not that I'm leaving the men behind, they need to admit they are lions and leave the sheep along. It's safe. Knowledge is in fact the only sustainable power. So, when it seems as if your work cause ire in another remember to dust the sand from your sandals and got to the next person. Of course, you have to know what you're talking about, which will come with time; but other than that . . . myth making is one of the more joyous, playful, and delightful ways to contribute to society as a whole. Thanks for Listening! Sabrina Louise Andielle I have a friend who says we healers aren't making donuts, I say we're making and selling bagels. Either way the road that we are taking by writing myths, metaphysical fantasy, visionary fantasy, and even paranormal fantasy is not an easy one. Plain and simple we are guiding a group of people who most likely are sleep walking through life and our pieces of entertainment is the closest they will get to swallowing medicine for awakening the spirit.
Demystifying the mystery. Making the effable plain to any one- even a teenager. These are the things that we must do out of duty to the collective whole and greatest good. But we must not get on soap boxes out of self-righteousness, we must be aware of the motive behind every word we speak; no preaching or judgmental accusations allowed. Instead, we are duty bond as vow takers (with conscious memory of our taking the oath or subconscious drive and motivation) to walk the walk while we talk the talk. We should be walking our own journeys and that means that we will eventually come to an impasse. When such deadlock appears in our way we need do anything that we wouldn't ask another to do. Blockades are good for the journey to Self; especially when we as writers/guides are taking the initial run through. This is the time when we should be sitting down and reflecting on what it is that we are trying to communicate to our fellow reflection. The original reason for engaging in such a task as being a healer/writer will be examined and we will see if we have what it takes to guide others through our personal darkness. Because our "individual" journey, I say adventure, is the collective journey, truthfully. Lastly, this is a time to go within to our Source and Supporter, our Guide and Companion, to review the map of our life. Reviewing these three will afford us the rest due for reaching the end in whatever condition we're in. Impasses aren't to be cursed. That's what I'm going to my grave saying, because my adventure has always changed directions and allocated time for resting, regrouping, redirecting, and rebuilding or repairing what's being accomplished. Here's to good rest, reflection, and redesigning at each and every one of your impasses. Thanks for Listening! Sabrina Louise Andielle |
AuthorOne of those writer folk telling stories, reviewing the writer's adventure, and presenting the hero's journey. All wrapped in Spirit, the Kingdom of God, the Sanatana Dharma, the Tao, the Way, or the Absolute. Archives
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