Recently, I've been advocating for a new spin on the Hero's Journey. I, like many others, once saw it as one individual going out into the cruel, cold world. Battling demons and killing monsters. Then coming home to be celebrated and rightfully embraced. Joseph Campbell pointed out that sometimes the hero even brought medicine for the village. I now see that with our coming to an understanding about the outer world, the real focus needs to be on the inner world so we can eventually be sane enough to travel the outer limits and/or have residents of the outer limits announce their visits to the planet.
We are supporting the idea and practice of mental health, more recently. We are bucking systems that don't work and building a platform for future ones that will. Healing is being taken on, deep emotional healing which is altering family DNA, and the realization has become that no one can do your healing for you; and claiming affiliation with a deity does not grant you sanity. These such statements mean . . . I better have a solution to toss in the ring. I do. I believe that the showing of how to stay in one's lane and be a hero falls on the shoulders of mythologist. Not the comparative mythologist. Not the armchair evaluator mythologist. Not even someone who is still putting the new style mythology creator's pedal to the metal while learning the road, like me, mythologist. I am talking about some of today's embraced writers of fine storytelling which could one day be considered true mythology. Ursula Le Guinn was a mythologist. But even she went to school under the old methodology. She was a practitioner of Joseph Campbell's external mastery hero's journey- not always but a lot of the time. The new stories need not be brooding. The collective needs new light, engaging, and encouraging stories so we can move forward. Meaning if we writers just get out the way during the first, second, even third draft, then the final product will be new and innovated. Yes, that means we won't be able to pop out books like we're machines, but we aren't. I've always believed that storytellers and myth makers have a special role in any civilization's societies. Maybe others don't, but I feel it's an honor to even been given the chance to attempt to write stories and mythologies. I'm certain with a new style we'll get new smiles. Healthy ones which change the reader/listener to their core. All the while, everyone is in their lane. That's the future I see for novelist and the one I personally strive for. Hell, I've been working on Hour of Change for 2 years now and by today's prolific standards and my previous habits that's a long time. But I keep increasing my personal standards and with that comes changes in ideas and dialogue for my manuscript. I do know that the only perfection is imperfection so 2020 will be the birthing of The Chronicles of Mow Yen: Hour of Change. We can only change the social momentum one idea, one story, one myth at a time and that means being social, engaging, with our products; and we got to start somewhere. Because, the medicine comes not from the outside but from within and novelist, again, have to help the communities which are directing people in that internal direction. Thanks for Listening! Sabrina Louise Andielle Crow Crew
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One of the first thing I had to learn is there is the written storytelling voice and the oral one. Being that during the pinnacle of my storytelling apprenticeship I was telling oral stories almost daily, it took me a while to even realize that there was a difference between the two. If you're just starting out as an author of novels then you, too, may not even know that there is a difference. They're two different voices, for the most part, according to the greater teachers, of the novelist's platform.
Studying mythology, you may discover that the ancient stories were written in the oral voice, you know songs and metaphors, as a matter of fact those are the ones which have withstood the test of time. We're modern mythologists and that means that we have a new standard to live by . . . a new style. The written wine in oral skins. And whereas the written word is really a cold and stiff language, it can become like warm putty in the right hands. The first thing; learn your own oral voice. Knowing how you roll words off your tongue. This is going to give you the confidence you'll need to stand up as one of the first in this field of modern mythology novels. If you know your oral voice you will be wise enough to create your own style without even trying to. You want it so that by the time the reader is 50 pages in, they know that it is you who is talking. The second thing; learn to capture your story. The actual task of writing a full length mythological novel will require you to sit back and let the story come to you. This is not something you can fully plan like you can with traditional novels nor pants it like some novelist. You have to let the voice of the collective story come to you then speak itself (verbally/orally) on paper. Afterwards you can translate the oral story into a written one. It's a messy process but modern mythologists are more akin to clay and marble artists. The third thing; learn to divine your written words. Divinity is claimed by everyone, today. I'm not saying that we aren't all carrying the divine spark; but we aren't all the gods and goddess that we claim ourselves to be. That is where modern mythology comes in; it teaches gods to be gods and goddesses to be goddesses. As a modern mythologist, one has to step out of the obscurity of everything; including the field of written storytelling. One has to let their immortality lead and influence their mortality. It's a long process, tedious process. But trust me, it'll come. The light of the lighthouse assigned to you will eventually shine bright enough to aid boaters in this stream of life. These three things can and will enable you to not only write that verbal mythological novel your soul is calling out to be manifested, but your own individual, signature, tones, sounds, and style, will give you an abundance of "stories" to tell. It gets easier with time. You get stronger with time. Thereby, you will be able to witness the unfolding of the divine Power which you were born to shine onto the collective. Creativity. That's how we give information. Every voice of creativity burst beyond the limits of writing. Embrace your verbally written mythology. Then share it. Thanks for Listening! Sabrina Louise Andielle Crow Crew I got to thinking about how these ideas, beliefs, truths, of mythology have spread wide and far. Wider and farther than the pollen carried on the lips of bees. I mean we can say it started with the Sumerians, but truth be told, it was pretty much everywhere. With that, let's say for those who feel mythology is nothing but old wives' tales and stories to scare wee ones, we pretend that there was no god, no gods, and no aliens, but plain old Earthlings living and doing plain old Earthling stuff when it comes to storytelling. Now the question becomes just how did mythology get its mobility?
Industrious, that's what Earthlings are. I do not and would not put it pass the reasoning of necessity of understanding for the stories that would eventually stick in the collective psyche to be born. Saying and agreeing with that, we must go further. Either we are all connected and therefore pulled on the same key ingredients of necessity or one group was somehow more ingenious than all the rest of us and came up with motifs which would answer everyone's primitive and far reaching questions for understanding of this creation of matter called life. We know the answer; there is a collective truth which must be expressed for the creation to move forth, hence the mobility of mythology- then and now. It is my belief that new stories (new mythologies) are about to be born and with them a shift in experience and wisdom. But the effectiveness of these new stories will be gaged by how well the embedded information translate and how portable the desire to manifest will be. Mobility of mythology is a tricky thing. One must be able to speak to the Spirit of the listener and have enough self-confidence that she knows the seeds which she is dropping will bloom one day into wild adventures and deep longings. So what are some of the things today's mythologist can do? One, release all connections to the current mythologies. I mean not even in storytelling can one really effectively put new wine in old skins. Two, release the high speed life of society. It will take a lot of solitude and vulnerability to hear the future and we can only hear the future while living in the present by giving up the past. Three, release the mob or pack mentality. You cannot provide the vision for tomorrow by trying to be loved, looked up to, and embraced by the masses today. It may sound strange, depending on isolation and innovation to create mobile stories of motivation; but that is the only way we can receive clean stories without duplication. Individuality is the key to mobility. Individuality is the new (or improved) tool of today's mythologist. And remember, if you are immortal, you will get to see, maybe live, the stories you share, one day but not . . .anyway, hold on to the truth that mobility, even with the speed of the internet, is a slow moving, slow learning fix. Without the gods to assist. Thanks for Listening! Sabrina Louise Andielle Crow Crew The further one goes in the depths of mythology, the more one realizes that most of the teachings of the Mystery Schools are bullshit. I call bullshit! I call bullshit! I call bullshit!
Now don't get me wrong, the mystery schools are great for individuals who wish to dig deeper than the mythologies of the Hebrews, Egyptians, and Greeks. These school teachings add a layer of truth jelly to the thinly spread layer of truth peanut butter making a sandwich which can more easily be digested. The stage between milk and meat. But they are not to be taken as serious as they take themselves. I mean, come on, these are the same schools of knowledge that the demi-gods avoided, and the members of the light beings' community laughed at and isolated themselves from. In today's emerging era, there should be no more credence given to the mystery schools than there is given to the cults of today's secret societies. Besides the fading power and control aspect; they are about a lot of symbolism, labelled as ritual, which lacks the energetic support that they did thousands of years ago. There is something about ritual which most practitioners forget or refuse to let go of. The body is the reflection of the Soul which is part of the Spirit and if you want to change something in you the quickest way isn't through intended motion, but through intended thought. We are thought beings, those of us who are alive. Jesus knew this. Firstly, I would recommend to anyone who is consider engaging in one of these mystery schools to stop looking their noses down on the people who depend on the Hebrew mythology, because just by the hairs on your balls you aren't sipping a cup of juice and eating a wafer. It could be you who is saying nonsense such as, this is the "symbolic body and blood of Jesus." When we both know that Jesus said we could do more, do greater, do better. Not to mention he knew he wasn't for everyone's taste. Eating his body . . . come on. Secondly, I would recommend to anyone who is considering leaving the mystery schools and/or the basic beliefs of mythologies which may also leave more to be desired, to somehow and someway get thee to a metaphysical teacher. This is why. . . the metaphysical is going beyond the physical; meaning letting go of the need to embrace the image of the thought, sound, vibration, and belief that is the combines reality of the collective society. Then you can begin to correctly understand that we are information, a thought if you would, and the way to feed the individual expression is not with clothes, shoes, nail polish, hair styles, cars, homes, and you get where I'm going. Information increase with information because that which we feed ourselves with become energy and energy becomes experience and experience becomes wisdom becomes information. It's a vicious cycle and somebody got to scream about it. Lastly, I would recommend to no longer toss out the baby with the bathwater. No more mob mentality about the truth of god, gods, or ancient aliens. We don't know the beginning, certain of us weren't designed for such information. Some of us haven't eaten from the tree of "good" or "bad" to even have our mental stomachs ready for the heaviness of immortality. Immortality is the only way to get to the beginning, to thereby become empowered to create an ending. We are either Created or Co-Created; either way there is a spark of divinity and free will within us all. The larger the spark the larger the responsibility. This has nothing to do with healing as much as empowerment. As I was told you can't jump the Grand Canyon in two leaps. There has to be determination. There must be release of the fakeness, which is only good when you are fake. But mostly, there must be an untwisting of the twisted teachings of History and Spirituality. Thanks for Listening! Sabrina Louise Andielle Crow Crew The idea that writing a story is simple and the author only need to take pauses here and there for fresh eyes is a fictitious telling in and of itself. The entire process is an emotional development of the author. Especially if one wish to develop the emotions of the readers. Unlike other writings which, for the most part, requires light effort for writers born with the gift of storytelling, mythological creations demand heavy bench pressing.
First, you have to decide on writing about something you know. Then have at it; which means opening up your soul and receiving a story about the topic which you've selected. As much as you may know about this topic, your first draft will be primeval soup. Some of it will have mass (meat to keep) and the rest will be liquid (soup to toss) but know that without the first draft there is nothing to eat; so, get your ears tune to the pitch of the Universe. Second, you have to see how your first draft can fit into the formula that has been agreed upon by the collective 'we' of readers. It doesn't matter that your delivered idea is original and has the philosophy to support it; what is key is that bread looks like bread that can be served on a plate and water looks like water that can be served in a cup. Third, you have to recompose your first draft into a final product. This part takes many tries and will change the texture and taste of your offering to the reading gods. But keep the first two steps close, constantly read and re-read your mythology until you know the story; now start rethinking what mythology means to you. Fourth, you have a final product which adhere to industry requirements at this point, so let's add in two things, the requirements of mythology and the requirements of compassion. Your writing is the food and/or the elixir for the community. Considering that you've experienced this journey that you're sharing, the sharing should come easy. It is your communal passion after all. Just as it feeds your soul, it should feed the collective soul. Your mythology should motivate or prompt others to get out and obtain what you gained. Finally, have faith that this new mythology will answer the pleas of the community. Then, be prepared to take that first step over and continue the process until you feel you can no longer stand and be a channel for the voice of Spirit, the voice of the Universe. Remember, mythologist spider, your job is to spin webs and change the flies caught on your web into independent spiders out there spinning webs with you. We are all one and that means that we are all spider-storytellers; capable of overcoming the largest of obstacles and calming the wildest of beasts. Thanks for Listening! Sabrina Louise Andielle Crow Crew I have undergone a transformation which affect my writing in oh so many ways; therefore, I will not even begin to explain where I've been or what I've been doing. Just know that Hour of Change is still on the burner and this 94,000 word story is being honored as only someone who has walked in Mow Yen's shoes can.
It is said that a writer is constantly mining the soul, their soul, for what is unknown, for what hasn't been felt, and for understanding their core beliefs. This is something that I now embrace and share. Not the mining for feelings or capturing the unknown but for understanding of core beliefs. I have never thought to myself how I was mining for my core beliefs through my writing. Even with Hour of Change, where I'm pouring my heartbreak onto the world, I never thought I was sharing CORE BELIEFS. I never knew I had it in me to leave a relationship which has spread across my many incarnations. I never thought that I would feel the confusion, fear, and anticipation of starting new with a different god or gods; or the deep need to grieve the illusion of perfection which I held for Yahweh. Thereby, letting another god or gods in the private quarters of my heart. I never would have guess that my core beliefs would be changing this incarnation. But all that is going on and more. All because, as the bible says, your mouth provides for your belly. I have decided to quit Yahweh. Now, I don't know what that means for my religious life (which wasn't there to begin with) but for my spirit it means freedom. At least that is my core belief. Yahweh is for the youngsters who need hands on guidance. I am no youngster. Being that I'm sober, I am not about to sit up here and bash and spit upon the people who still give their ultimate devotion and obedience to Yahweh. Again, I just left the fold; keeping the love I was taught and disposing of the rest. I will not go into lack, because I feel they lack nothing, and all of their needs are met. I will say that as much as they claim to be the more powerful religious organization of followers on the Earth currently, they walk in fear. Now if you ask or point this truth out, you'll receive opposition. But these are the people who claim to forgive but not forget. How? These are the people who claim they need no "outside" books to support theirs. They can't deal with the questioning of their beliefs and often threaten with the promise of Hell. As the saying goes, one needs originality, but it must be backed, if not matched, by philosophy and comparison critical thinking. I could go on, but I will give one last point to ponder. There is a mistrusting of anyone who is outside their community. There is a hole where diversity belong within their organization whose collective has splintered into more denominations than any other main group of religious devotees. They are sheep and the shepherds have place the fear of Yahweh in them. I wasn't a follower of Yahweh by any means of actions other than proclamation and explanation of my behaviors and Biblical understandings. Nor was I a follower of Yahweh's actions and treatment of people. He, Yahweh, is a hard god for a hardheaded people and I'm not hardheaded. I was already torn by my inner drive for wisdom beyond my soul. The closer I got to my truest desire the further I got from Yahweh. I was questioning Yahweh, daring him and no commander likes that- least of all Yahweh. Therefore, I am going to let Yahweh go. I now allow Yahweh to go his way and I go mine. No hidden agenda. I honor Yahweh's power, strength, and even the devotion shown toward his people. There is nothing but love and relief in my heart. Part of me, deep down, wishes that there was something that Yahweh could still teach me; but the Greatest God got this, and my next teacher will appear. I had so much fear, so much anger, and so many restrictions to overcome. I can't speak for other followers, but Yahweh seems to be the type of relay runner who has come to the end of their stretch and refuse to pass the baton. I think that the inspired threats of men, has nothing to do with saving souls and more with binding people's mind and soul to Yahweh. Maybe Jesus wasn't celebrating Yahweh? I've still to conclude on that thesis. During the process of writing Hour of Change, I saw the characterize image, the one I made of him. I realized that I had not been given the chance to become who I was born to be, because of some inspired teachings of desert men and women which said that Yahweh way was the only way. I realized that if I was at war, fighting for my spiritual survival, then yes, Yahweh's way is the only way. Listen to me, I was that individual fighting my own guilt and consequences; Yahweh's was my savior as I ran from the truth of who and what I am. Yahweh is the one who will direct without considering the inner development of the one he's directing. Once I become still, I was able to see that it was Yahweh who had kept me running because all gods need someone to share their understanding with. I'm not trying to take that from Yahweh, what I am doing is stepping deeper into the light of the Greatest God. Once I am placed under another god, I will serve that god the way I served the god of war. I am no warrior-soldier anymore. I am a full blood soldier for peace fore I have been honorably discharged. Best of luck to Yahweh and the shepherds under him. Fore, your sheep are frighten and running off cliffs; mindless and lacking free will. And, best of luck to me. Core beliefs are a motherfucker! I'm so excited. Know why? I'll tell you, it's because I know what I am. I wish I could tell everyone everything but I haven't reached everyplace yet. So, I will sit silently and knit my blanket just a little while longer. The rhythm is getting smoother, faster. I'm able to do more in less time. Okay, but what does knitting have to do with the Pointer Sisters?
The song about being so excited speaks of a burning love that they're . . . so excited about. They just wanted to squeeze and wrap their arms around their beloved. I now understand. I know that I mentioned in my last post the amount of work that I was putting into Hour of Change and how the thing was shaping up; but now I want to share with all the other writers striving for publication with a traditional publisher why to hang in there and really put in the time. As we carry on, things do get easier. Now of course I'm talking about writing novels. The more drafts you tell the more you know the story, the more you know the story the better you can tell the story; and a well told story sells. Boy, does it sell. Still, I'm not speaking of the manuscript part of this business. I'm speaking on the "paperwork" the Cover Letter, Synopsis, Bio, and Similar Books (name dropping.) Little history, like many, I was rushing to get my stuff out there, you know hang up my open for business sign; but I got nowhere, fast. That is until I was told that under ripe fruit is no good just like over ripe fruit. I had to sit and think about that. After a lot of soul searching and much rap music (love me some rap and RnB,) I decided to take down my sign and get back to the drawing board. No, things weren't as easy as self-publishing and I'm not knocking it because I was it. No things weren't as glamorous as when I first started working on this now 94,000-word monster which is going on five drafts, two revisions, and countless editing. But all that, the words repeated for the umpteenth time, isn't for the "work" of writing a novel. That was to learn how much I love telling stories and how much I was willing to learn how to write them. That, too, is what I'm so excited about. That is what make me about to loose control. Getting to know this story so well that I can answer questions about the story that I have, like why must I replace Satan with Amidas? What is the difference between a Earth Mow and a Saturn Mow? Why make Young Mow Yen's death so graphic? Things like that. I learned that if I ask myself these type questions, instead of what color hair does Mow have or where is Amidas most likely to eat, I will be able to deliver deeper story without losing my swimming noddle. Not to mention the reader's. I don't think that we as writers give enough credit to editing process. We just want that high of channeling a new tale. But if you want to be a powerful writer you better get the high of playing god down also. That's also why I'm excited. Playing gods enable us to write the 2 page synopsis, the cover letter, and know that if they are rejected then the fruits are not ready. I tell you the first night I was able to condense 160 pages of the story (roughly half) on one page, I understood why I had to learn to write summaries, which I thought were book reviews. If I can't write summaries then either I don't know or the story is not complete. That's all a synopsis is. . . a summary- professional but a summary. The Cover Letter is even easier to communicate. This is what I got, this is why I selected you, and here is my pitch. Thank you very much. Close that puppy. Slap an electronic stamp on it and send it on its way. Bio, just ask, why did I write this story? And the comparison should be easy because there shouldn't be any roommates just neighbors. Like eyebrows your book and others are sisters not twins. There is only one J.K. Rowling but my one line pitch is its Rowling meeting another author (see my previous post for who.) Yeah, I could have selected someone else but when you hear her name you think magic and I got magic. So I use her as a similar book. Tough for me, most of my books are non-fiction so I can't really say I'm sisters with anyone; but I know I'm not twin. Anyway, I digress. I just wanted to say that I'm excited about the fact I know this story, Hour of Change and I'm looking forward to discussing it more than selling it and that is a change in direction, that is a change in the heart. That is the foundation of my excitement and the start of a new joy in my heart. I'm so excited! Thanks for Listening! Sabrina Louise Andielle. July 2019 was the beginning of the third year of my journey to becoming a publish author with a traditional publisher. I tell you this has been a journey of twist and turns to the point that I now understand why the underground roots of a forest looks like a map of success. This becoming a traditional publisher's client is not like self-publishing or publishing with a mom and pop racket. There is a level of mastery which requires focus that just isn't requested otherwise. Writing, rewriting, editing, revision; and much, much more. You can become lost in the drafts alone. I'm on my second revision of what ended up being five drafts and yes, things are tighter than they were months earlier; but, I would not have brought this level of intensity to the game if it wasn't for the fact that I want to be of the roster of a traditional publisher.
In my adventure to being who I am professionally, I'm learning patience and skills which never crossed my mind before. Storytelling and writing stories are two different things; a true master combine and perform both until flawlessness is the appearance. As I continue, now with glee, I find that it really is the journey. I do what I do, read what I read, all to be close with the Universe. My goal has expanded and I'm not getting into what that means at the moment. Being so close, only to have the carrot moved to a different location, because there are lessons and energy to be gained at this new settlement. Yet, I love my guides and I wouldn't take nothing in the world for them. Plus the second installment of The Chronicles of Mow Yen is coming along faster, with less waste. The name: Zep Tepi. It means new dawn. It has been said: If it is fast then it won't last. I used to question that because I was fast and I was producing work. But, being honest with myself, I realized that my work lacked a certain degree of professionalism which I love. I discovered and surrendered to the fact that, that which I sought would only be achieved if I listened to God and slowed down. That meant, enjoying myself on a sunny day, a cloudy day, a rainy day, even a snowy day. Plus I needed time to be still; not just because God said so, but because nothing grow up fast or overnight except when you add man's contribution. Real stuff of God takes time and I am a Metaphysical Fantasy writer. It's a forest I tell you. Hour of Change began in 2018. I will continue to work on this story, only presenting it when needed; but know this: just as the mulberry leaf turns to silk with time, Hour of Change is becoming solid and without fancy. I now pitch it as James Redfield meets J.K. Rowling. And although the level of mastery that those two shared with the world could have been tighter, I stand by them for their vision and determination. They both opened the minds of the public to a new thing. Which is what exploring and pioneering is about; and I am both. Just wanted to let you know that your girl hasn't given up on Hour of Change. That I'm near ... who am I fooling I still have two more run through before tackling the huddles of getting an agent again. A lot has changed. No more Satan. Mow is now a she-demon from the third ring of Saturn. Hina has more screen time and she brings her daughter with her. There are Seven Spirits that must be located. Not to mention that Mow still needs to located her three teams of five Elohim before the December 2030 date. Zeus is still Zeus but he has a newly invented master, Amidas- Mow Yen blood relative which she's never met. Mow's back story has changed and it's an all around tighter story which set up the adventurous journey of The Chronicles of Mow Yen. Plus I know how the damn series ends. For all who are praying for me and Mow, thank you! We aren't going to stop until we see publication and distribution in bookstores throughout the world. Yes, the vision has grown and the ask is bigger but when you're looking to become part of the underground root system of a forest, you better come hard or not at all. Thanks for Listening! Sabrina Louise Andielle When we are in our zone, our cave, or wherever we do our thang, we often feel like the one wearing the Royal Crown while editing just masterfully. If you've been at this long enough you know that it is the editing that makes the story. With the proper training we place our created thought-beings (characters) where they need to be. We leave hints so the reader can know where to go without knowing what will go down. We create environments which reflect moods ours and theirs. We do so many things (sometime all within the first 3-5 pages) and I am not trying to take anything away from what we do; but we forget we're not the only one doing this. Or is it just me? I don't think it's just me because we all ask for help, but we don't want to be tore down. We sometimes just want our ego stroke. We want our art acknowledged by those other than loved ones and the average reader. We want someone who can walk in our shoes tell and us they feel each and every step; meaning they, a fellow writer, can see the genius in our creation the way we see it without it being publishable. SMH I've come to realize that to cut miles off my journey as a writer, I have to admit I'm not the only one good at what I do. I'm not the only "expert" even if I know more about the field than others who are doing what I do. I have learned so much about language, expectations, and design outside of the land of Welnikov and Mow Yen by seeing the genius in other writers. There are others who will teach you without knowing they are teaching you if you show up and be humble. Yeah, we know what we know when it comes to our world that we're creating; but we don't know enough to be experts in the world which we live in- even in the field of writing. Whether you be J.K. Rowling or Steven King, this is the case. All the experts have left the building and only us mostly blissful, active participants are still here. Thanks for Listening! Sabrina Louise Andielle "At the 1893 World Parliament of Religions in Chicago, Swami Vivekananda argued that the same God is the inspirer of all religions." When the evangelists tried to press Vivekananda on the issue of conversion, Vivekananda "took the high ground." The evangelists were told ever so kindly that trying to convert someone was for little minded people. This answer to conversion was good then for those who have put away the toys and it is good now for those who have been elevated from breast milk to meat (or Veggies for my Vegans.)
Now that I'm in the waiting period for Hour of Change, I have time to think what I want to do with The Chronicles of Mow Yen. What is this series really about? Although I know that the second installment will consider the mythology of Hinduism, I don't know what topic I'm going to follow with; let alone the message, theme, or claim that I'm going to deal with. Hour of Change taught me that these such things aren't as easy as one may think and in fact if I want to steal fire from the gods then I better be on my p's and q's. Before I return to Hour of Change and do the last (I hope) editing/polishing, I want to know what the hell I'm sharing and what in the world am I doing. Outside of having fun and being in joy, I want everyone to share in a mystical experience. I want to talk with people and uncover the Mystery so that it is no longer a Great Mystery to me (us?) This means that I must present my understandings and findings to be reviewed and commented on first and I do this in the form of simple fantasy. Allowing and expecting for others to comment on my theology & mythology (I call it my theomythology.) More I think about my form of pronouncement, the more I can see others thinking I want to convert to or recruit for my beliefs and understanding. That is the last thing I want to do. Convincing others that you know the way is something that I'm not too keen on as I believe we are to bear witness to the journeys and adventures of others without judgments, recommendations, or words of corrections; no matter how well life may be going for you. I've learned the hard way about that Teacher, Healer, Way-Shower stuff. I just want to play and have experiences of Joy with conversation about thoughts and beliefs about that which is effable. When we come together over a meal, a drink, a round table, an auditorium we can make the invisible visible. This means understanding that trying to make conversions is in fact little mind and big fear. There is no Light, no Love, and no Peace- and these are my things. It is my purpose to be an example of Christ-Consciousness rising out of the flames of Self-consciousness. Because I have yet to meet someone who hasn't encountered flames when shifting from human to divine consciousness. I believe that my purpose can be everyone's purpose and when you're looking for the Divine Man in others you are in fact doing my purpose. Christ-Consciousness is important to me. Look at me, getting off track. The Chronicles of Mow Yen will not be in any way shape or form an attempt to convince anyone of anything other than to sit down and conversate with me. I just want to talk, to learn, to experience, and to believe, while being in joy and happiness. I guess that's why I'm aiming to have multiple series. Things are moving accordingly and I'm constantly getting better results, even if I'm not going as fast as I would like. Must say, I'm still alive and polishing. Thanks always for your patience. I will get this into the collective thought. Maybe not as fast as I would like, but when it hit it will be a conversation starter and a representative of me. Thanks for Listening! Sabrina Louise Andielle. |
AuthorOne of those writer folk telling stories, reviewing the writer's adventure, and presenting the hero's journey. All wrapped in Spirit, the Kingdom of God, the Sanatana Dharma, the Tao, the Way, or the Absolute. Archives
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